Installation view of 'Suspension', a showcase of all-hanging works at Cheim & Read in New York tracing Louise Bourgeois' fascination with suspended art

路易丝？布尔吉斯最出名的可能是她超凡脱俗的蜘蛛雕塑，但她在切姆展出了所有挂着的作品。

跨越45余年的资产阶级的职业生涯，25件作品是对艺术家动态的工作方式的颂扬。路易丝喜欢用不同的材料做表格。她不忠于任何材料，”她的长期首席助理Jerry Gorovoy说，她在开幕式上主持了一次私人巡演。有时，同一块材料会用不同的材料来做，它们会有一种非常不同的感觉。

从织物覆盖的躯干轻柔地倒挂到青铜画的“巢穴”(1962年)，这是展览中最早的作品之一，尽管它们的形式不同，但它们有着共同的物理特性。甚至更抽象的作品-如“被分割的人”(1964-5)和“Fée Couturière”(1963年)-也具有拟人化的品质，这些作品与资产阶级作品中反复出现的主题联系在一起，无论是对她父亲的感情，还是她对性别和性的看法。

通过放弃传统的浮雕，允许每一件作品自由地从它的栖息处移动，过去的壁纸*客座编辑(W*115)赋予了她的雕塑一种不稳定的不稳定，与它们的密度和重量相对应。挂起的作品也是她精神状态的一种表现。这位艺术家曾把她对悬吊的迷恋追溯到她的童年，那时她的父亲把他收集的木制椅子挂在阁楼的木梁上。她曾经说过，这是非常纯净的。“你会抬起头来，看到这些扶手椅摆得井井有条。地板是光秃秃的-这是许多悬挂物的来源。

“苏珊娜”首次推出了几部作品：醒目而可怕的“腿”(2001)；针织的、双头的“歇斯底里之弓”(2004)；螺旋式的“夫妻”(2007-9)，一个7米长的版本将在不久的将来安装在维也纳的威恩米特车站(Wien Mitte)。资产阶级也许已经不在我们身边了，但她的精神，正如这次展览所证明的，仍然是非常活跃的。

'The Quartered One' (left), 1964-1965, next to 'Untitled', 1947, a work in ink and charcoal. The exhibition is the first survey of Bourgeois' hanging sculptures, featuring examples from her recurring themes

From left: 'Untitled', 2004, 'Legs', 2001, 'Hanging Figure', 2000 and 'Cinq', 2007. Spanning more than 45 years of Bourgeois' career, the 25-piece show is a tribute to the artist's dynamic way of working

By abandoning conventional plinths and allowing each work to move freely from its perch, Bourgeois bestows her sculptures with an instability that counters their density and weight. These are 'Single I', 1996, 'Arch of Hysteria', 2004 and 'Femme', 1993

'Untitled', 2004 and 'Lair',1986. The sculptures share physical characteristics despite their formal differences

'Janus Fleuri', 1968, 'Fillette (Sweeter Version)', 1968-1999, and 'Hanging Janus with Jacket', 1968

'Legs', 1986. Bourgeois' longtime chief assistant Jerry Gorovoy explains, 'Louise liked doing forms with different materials. She had no allegiance to any material'. © The Easton Foundation

This macabre version of 'Legs', from 2001, is being displayed for the first time. © The Easton Foundation

Three 'Untitled' works, the one at left from 1995, the ones in aluminium from 2004. The 'Untitled' drawing is from 1946

'Untitled', 1995. © The Easton Foundation

This is the first showing of 2007-2009 iteration of 'The Couple'. © The Easton Foundation

'Untitled', 1947, 'Fée Couturière', 1963 and 'The Quartered One', 1964-1965. Even these more abstract pieces have anthropomorphic qualities, linking back to recurring themes in Bourgeois' work, whether they be feelings toward her father or her ideas about gender and sexuality

keywords:Louise Bourgeois, contemporary art, contemporary sculpture, contemporary gallery, Cheim & Read

关键词：路易斯·布尔乔亚、当代艺术、当代雕塑、当代画廊、Cheim