Architect Michael Graves is the subject of a retrospective now running at Grounds for Sculpture, a 42-acre not-for-profit sculpture park located in Hamilton, New Jersey. Photography: Zach Teris. Courtesy of Grounds For Sculpture, Hamilton NJ

五十年可能是生活中不可或缺的基石，但五年的商业生涯仍然是一个奇迹。建筑师Michael Graves是能够庆祝这一专业里程碑的少数人之一，而且正是现在在新泽西州汉密尔顿或哈密尔顿市一座占地42英亩的非盈利雕塑公园的雕塑基地进行的回顾。作为序幕的过去，不仅展示了格雷福斯最具开创性的建筑和产品设计作品，而且还从未见过草图、绘画和艺术品，这些作品描绘了他迄今为止的创造性进化。

接管了公园的几座建筑，同时占据了公园的场地，“过去作为序幕”亲切地将格雷夫斯的建筑和设计成就与意料之外的艺术作品并列起来。从复杂详细的模型丹佛中央图书馆(1994年)到他标志性的1984年为阿莱西茶壶和他的范围内的斯图本玻璃，格雷夫斯的宽度是惊人的。除了产品、模型和家具外，展览还提供了一个罕见的洞察格雷夫斯的工作过程，其中包括台湾国家史前博物馆之一的知名项目草图。

游客还可以深入了解线性城市项目，早在20世纪60年代，格雷夫斯就与建筑师彼得·艾森曼(PeterEisenman)合作完成了这个项目，早在两位建筑师获得认可之前很久。这一系列铅笔和粉笔素描勾勒出一个城市规划，包括两个平行的地带，一个用于工业，另一个用于家庭、零售和服务。格雷夫斯说：“50多年的项目对我来说是很棒的，但我最兴奋的是，我们的实践的未来是如何从我们学科的积极合作中演变而来的。”

纽约市也有大量的格雷夫斯，文多姆工作室正在展示他的风景画和静物画的收藏。展览由大都会艺术博物馆副馆长简·阿德林(Jane Adlin)主持，展出了60多件作品，突出了格雷夫斯最喜欢的地方，比如田园诗般的乡村风光和罗马的海伦娜陵墓，以及私密的静物作品-这是他曾经居住过的地方和空间的真实反映。这两种表演合在一起，构成了对一个极具创造力的灵魂的整体赞颂。

Titled 'Past as Prologue' the exhibtion presents some of Graves' most seminal architecture and product design work alongside never-seen-before sketches, drawings and artwork. Photography: Zach Teris. Courtesy of Grounds For Sculpture, Hamilton NJ

'Reminiscing over 50 years of projects is wonderful for me, but I am most excited about how the future of our practice is evolving from the energetic collaboration of our disciplines,' Graves said

Taking over several buildings in the park, as well as occupying its grounds, 'Past as Prologue' juxtaposes Graves' architectural and design accomplishments with unexpected works of art. Photography: Zach Teris. Courtesy of Grounds For Sculpture, Hamilton NJ

The iconic black Push Button Telephone - one of the many products that Graves designed for Target between 1998 and 2013. - is displayed alongside original sketches, prototypes and renderings. Photography: Zach Teris. Courtesy of Grounds For Sculpture, Hamilton NJ

Graves' 1984 Tea Kettle with the whistling bird for Alessi is one of the most recognisable items on display. Courtesy of Michael Graves Design Group 

The exhibition offers a rare insight into Graves' working process with sketches of recognisable projects in progress. Photography: Zach Teris. Courtesy of Grounds For Sculpture, Hamilton NJ

Visitors can also get an in-depth look at the Linear City project, which Graves worked on together with architect Peter Eisenman back in the 1960s. Photography: Zach Teris. Courtesy of Grounds For Sculpture, Hamilton NJ

The series of pencil and pastel sketches articulate an urban plan comprised of two parallel strips, one for industry and the other for homes, retail and services

Another sketch from Linear City by Michael Graves and Peter Eisenman,1965. Photography: Ken Ek. Courtesy of Michael Graves & Associates

Other never-seen-before work includes sketches for Taiwan's National Museum of Prehistory

An untitled sketch by Graves in pencil on clay coated paper

'Whistling Bird Studies', by Michael Graves

Martel College, Rice University, 2003. Photography: Richard Payne. Courtesy of Michael Graves & Associates

Hyatt Regency Fukuoka, Japan, 1990 - 1993

International Finance Corporation Headquarters, Washington DC, 1992 - 1997, 2005

425 Fifth Avenue, New York, 2000 - 2003

Also on show: 'Gala' by Michael Graves for ILEX Architectural Lighting, which launched last May during New York Design Week at WantedDesign

There's plenty of Graves on view in New York City too; Studio Vendome is in the midst of showing a collection of his landscape and still life paintings. The exhibition comprises over 60 works that highlight Graves' favoured places, such as idyllic countryside vistas seen in works like 'Shaker Barn', 2009

keywords:Michael Graves, Architect, retrospective, architecture, Grounds for Sculpture, New Jersey, Studio Vendome

关键词：迈克尔·格雷夫斯，建筑师，回顾，建筑，雕塑的理由，新泽西，工作室Vendome