existentialism and indian design collide in subodh guptas latest new york show
2015-02-13 15:25
New Delhi-based artist Subodh Gupta debuted a series of paintings, 'Seven Billion Light Years', for a solo exhibition of the same name at Hauser & Wirth gallery in New York. Photography: Genevieve Hanson
在一个价值观念等同于奢侈、地位和珍稀的世界里,苏博德·古普塔(Suboth Gupta)使每天的生活变得更有意义。他的最新展览“70亿光年”(70亿光年)最近在豪泽(Hauser)开幕。
古普塔对现成物品的喜爱,不仅使他成为当代艺术界公认的人物,也成为了印度文化的使者。这位名为“七十亿光年”(70亿光年)的印度艺术家的画作,以更大的比例呈现了日常用品,比如破旧的碟子和划痕的金属锅。在两米高的画布上,这些熟悉的物体具有超凡脱俗和无限的品质。古普塔还将原始物体附在画作上,在这两个实体之间创造了一种纽带,就像轨道上的行星一样,这在他正在进行的关于凡人生命与更大宇宙之间的距离的对话中发挥作用。
古普塔对发现的物品的使用,可能给他的作品杜尚和超现实主义的含意,但隐喻之外,他们清楚地表达了日常印度生活的紧张和二分。“当我看到器皿时,它给了我一种我无法描述的感觉。古普塔在谈到他的过程时说:“我感到非常兴奋。”“这些器皿的痕迹告诉了我这么多的故事,我感觉到它们是如此的完整。”
展览的亮点之一是安装,“这不是喷泉”(2011-2013),一个铝制烹饪容器的集合,水龙头喷出流水,测量12英尺长。
另一项名为“我的家庭肖像”的作品(2013年)将每个家庭成员视为金属器皿、厨房工具和餐具的悬挂架。
这些深情而未涂漆的人物在印度的社会、经济和文化特性中以一种轻松而又极不愉快的方式直拨入了印度。
'Seven Billion Light Years V', 2014. The paintings feature everyday utensils like well-worn dishes and scratched metal pans, at a magnified scale. Photography: Genevieve Hanson
Spanning installations, sculptures and films from across the artist’s career, the works collectively comment on everyday life in India, while weaving in hints of existentialism along the way. Photography: Genevieve Hanson
One of the show’s highlights is the installation, ‘This is not a fountain’, 2011-2013, an assemblage of aluminium cooking vessels and taps that spout running water, measuring 12 feet in length. Photography: Genevieve Hanson
'Pure (I), 1999—2014' invites visitors to bury a prized possession of theirs across a plot of cow dung, a sacred substance in India. Photography: Genevieve Hanson
A still from 'Seven Billion Light Years', 2014-2015. The two-minute film depicts the making of roti, a flatbread widely consumed in the India. Photography: Genevieve Hanson
'Imperial Metal', 2014, comprises a bundle of 24 carat gold plated rods displayed on a structure composed of charred wood and steel. Photography: Genevieve Hanson
'My Family Portrait' (right), 2013, ( with 'Aam', 2015, on the left) sees each family member represented as hanging racks of metal utensils, kitchen tools and tableware. Photography: Genevieve Hanson
'When I see utensils, it gives me a feeling I can’t describe. I get very excited,’ says Gupta, of his process. 'The marks of the utensils just tell me so many stories and I feel them so completely.' Photography: Genevieve Hanson
Detail of 'Orange Thing', 2014, a spherical piece made from copper kitchen tongs, steel and plastic. Photography: Genevieve Hanson
'Seven Billion Light Years III', 2014. Photography: Genevieve Hanson
'In this Vessel lie Groves and Gardens', 2011, (pictured left) is a seemingly simple terracotta jar that on closer inspection reveals stainless steel utensils and jute lighting. To the right, 'Pearl', 2011. Photography: Genevieve Hanson
Gupta describes this piece, 'Known Stranger', 2014, as 'a collage of domestic objects that are both humble and familiar'. Photography: Genevieve Hanson
keywords:exhibition, art, gallery, utensils, Hauser & Wirth, New York, painting, 'Seven Billion Light Years', This is not a fountain', 'My family portrait'
在一个价值观念等同于奢侈、地位和珍稀的世界里,苏博德·古普塔(Suboth Gupta)使每天的生活变得更有意义。他的最新展览“70亿光年”(70亿光年)最近在豪泽(Hauser)开幕。
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