The similarities between the Norwegian expressionist painter Edvard Munch and the American photographer Robert Mapplethorpe come under scrutiny at via the Munch Museum's latest exhibition and catalogue, designed by Snøhetta. Photography: Calle Huth

Edvad MunCh和罗伯特·梅普勒索普的作品之间意想不到的和以前未探索的相似之处，是由国际建筑和品牌设计公司S.S.Heeta设计的奥斯陆MunCh博物馆的一个新展览“Mapplethorpe Munch”的主题。

这是挪威博物馆六次雄心勃勃的“蒙克”系列展览中的第四次，这是迄今为止最令人惊讶的-如果不是大多数“当代”-的组合(以前的“蒙克”对话中有梵高和维吉兰等蒙克时代艺术家的作品)。尽管有许多不同之处，挪威表现主义画家和美国摄影师之间还是有相似之处，这在很大程度上是因为他们所处的媒介。

展览和目录都遵循馆长Jon-OveSteihaug的文章的流程，对两位艺术家进行了比较和对比。为了开始这个展览，Sn hetta创造了一个大规模的、被撕碎的横幅的清洁门槛。标志着展览的标题，横幅的图形，大胆的黑白字母发挥与透视你通过，使曾经清晰的标题是一个抽象和几乎无法区分的开端。设计公司解释说：“从普通生活到虚拟艺术世界的转变，因此成为一种感官和心灵净化的体验。”

色彩在整个展览本身中起着积极的作用，而不是在传统意义上的艺术（大部分马普尔索普的141张照片都是黑白相间的，只有少量的芒奇的95件作品采用了色彩），但在墙上挂着。深蓝色的色调作为主要的画布，与第一房间和出口的肉质粉红色色调形成鲜明对比。与博物馆最长的墙壁平行的隔墙被漆成白色，与阴暗的黑色墙壁紧密地并列，以适应展览中最具争议的图像。

同时也负责设计一个附带的目录，Sn hetta设计了一个概念，反映了展览的大胆的颜色选择，最容易在封面上。同样的粉红色的入口特征，平衡的切碎横幅的图形字体退化黑色箔和双肖像。内部布局的特点，图像吸引到底部的页面，与慷慨的空间以上，允许对比在两位艺术家的作品中站得清清楚楚。技术信息在书的背面获得了一个新的，纹理尺寸与使用冰铜纸。

Both the exhibition and the catalogue follow the flow of an essay by curator Jon-Ove Steihaug, which compares and contrasts the two artists. Photography: Vegard Kleven

To begin the exhibition, Snøhetta have created a cleansing threshold of large-scale, shredded banners. ‘The transition from ordinary life into the fictitious world of art thus becomes both a sensory and mind-cleansing experience,’ they explain. Photography: Snøhetta

Colour plays an active role throughout; not in the traditional sense of the art, but in the walls on which it hangs. A deep blueish-grey walls serve as the main canvas of the exhibition, contrasted sharply by the fleshy pink hue of the first room and exit. Photography: Ove Kvavik

The inner layout of the accompanying catalogue features images gravitating towards the bottom of the pages, with technical information at the back of the book gaining a new, textural dimension with the use of matte paper. Photography: Calle Huth

This is the first time the work of Munch and Mapplethorpe have been displayed in this way. Photography: Ove Kvavik

Also responsible for the design of an accompanying catalogue, Snøhetta have devised a concept that mirrors the exhibition’s bold colour choices. Photography: Calle Huth

Partition walls running parallel with the longest walls of the museum are painted white. Photography: Ove Kvavik

These sit in sharp juxtaposition with the sombre black walls that accommodate the most controversial images. Photography: Ove Kvavik

keywords:Graphic design, Galleries, Snøhetta, Robert Mapplethorpe

关键词：平面设计，画廊，Sn hetta，Robert Mapplethorpe