An installation view of the exhibition; showing a plethora of models, mock ups and experimental elements

与锤子博物馆展览有关的文献“挑衅：Heatherwick工作室的建筑和设计”突出了该公司的“惊人范围”。在历史上有一段时间，这是一个严重的低估。

正如节目所示，这位才华横溢、变化无常的办公室的投资组合或许是目前最折中的。它包括但不限于旋转椅子，挤压金属沙发，可转换的桌子，和规模的奥林匹克釜，公共汽车，桥梁，建筑物和城市规划。

和Heatherwick的作品一样，由Brooke Hodge和协调馆长Aram Moshayedi共同策划的这个曲折的展览没有等级制度，尽管它确实更多地依赖于最近的作品，其中大部分是在公共领域，Heatherwick承认这是他的激情所在。

项目被分为“有组织的混乱”，让观众能够做出自己的联系和结论。
重点放在工作室的过程中，正如展览的标题所暗示的那样，它开始于一个问题，并导致动手，无情的逻辑回应。

每个物体都伴随着一个问题，比如“海边的建筑与海洋有什么关系？”(英格兰苏塞克斯市的东海滩咖啡厅，波涛汹涌，层次分明)和“一座建筑能站在相当于火柴棒的建筑上吗？”(豪猪-就像英格兰诺森伯兰市的贝尔赛西(Belsay Sitoo Terie)。该展览轻于渲染，重在模型、模拟和测试元素，使它令人耳目一新的触觉，并强化了公司的形象，它的复杂和轻率，但非常容易理解的建议。

“工作室是工作室的核心和灵魂，”霍奇说。去年秋天，霍奇还在达拉斯的美国宇航局(Nasher)策划了一系列挑衅活动，并将于今年夏天在纽约的库珀-休伊特(Cooper-Hewitt)担任该剧的导演。“这种聪明才智对我来说真是太令人费解了。”这是新鲜的，因为他们从来不做同样的事情。

对于那些质疑Heatherwick向建筑物和基础设施过渡的人来说，答案在于壮观的结果-比如伦敦种植的花草花园桥，新加坡学习中心的圆柱形柱子蜂巢，开普敦的一个当代艺术博物馆，由42根竖直的混凝土管组成。他坚持做Heatherwick所说的“不做专家的专家”。

霍奇对这样的反对者说：“为什么不呢？”他一定要一直做手袋和椅子吗？“

在变化中总是会有摩擦。“如果没有，那就太奇怪了，”希瑟威克补充道。

In true Heatherwick style, each project is an insightful and eccentric resolution to an underlying initial question. Photography: Sam Lubell

Projects are assembled in informal clusters, in order for the visitor to configure their own network between each. Photography: Sam Lubell 

Learning Hub, one of Heatherwick Studio's larger projects within the exhibition. The design forms part of the Nanyang Technological University's £360 million scheme for redevelopment. Courtesy of Heatherwick Studio 

British designer Thomas Heatherwick has been hailed as a genius for the inventive nature of his work

Thomas Heatherwick's East Beach Cafe in Littlehampton, UK is influenced by eroded seaside objects and the texture of British shingle coastlines. Photography: Andy Stagg 

Another installation view from the exhibition. Heatherwick's most recent work is featured more heavily throughout, much of which is within the public realm of building and design. Photography: Sam Lubell 

Beautifully sculpted in polished copper, each rod of Heatherwick's 2012 Olympic Games Cauldron was lit and elevated to form one united burning flame

The polished copper rods that joined to create Heatherwick's 2012 Olympic Games Cauldron. Photography: Edmund Sumner

A view of the Oasis, from Heatherwick's Al Fayah Park in Abu Dhabi. The project became realised after a demand for more public space and park areas within the bustling city. Courtesy of Heatherwick Studio 

The exhibition illustrates the fact that the brilliant, mercurial office’s portfolio is perhaps the most eclectic in existence

An exterior view of Zeitz MOCAA, a cultural institution for Contemporary Art in Cape Town, South Africa. Galleries and circulation spaces are carved out from the existing silos' organic concrete structure. Courtesy of Heatherwick Studio

The exhibition showcases not only the studio's larger scale works, public transport, architecture and city planning but also their smaller projects in furniture design. Photography: Sam Lubell

'Spun', Heatherwick's completely symmetrical, rotational chair design, in use. Photography: Susan Smart  

A reliance on models and mock ups reinforces the image of a firm that follows through on its intricate and brash, yet very accessible, proposals

Heatherwick Studio was commissioned to design the new and improved London buses in 2010, the first to be designed specifically for the capital in over 50 years. Photography: Iwan Baan

Heatherwick Studio's infamous, porcupine-like, UK Pavilion design for the Shanghai Expo 2010. From every external angle, an image of the Union Jack can be seen within the arrangement of hairs on the pavilion. Photography: Iwan Baan 

Alongside Heatherwick’s buildings and infrastructure are his other designs, including handbags and chairs

keywords:Thomas Heatherwick, Heatherwick Studio, Exhibition, Models, Hammer Museum

关键词：Thomas Heatherwick，Heatherwick工作室，展览，模特，锤子博物馆