Prada Foundation's new Milan arts complex, designed by Rem Koolhaas. Photography: Bas Princen, Courtesy Fondazione Prada

米兰经历了一个不典型的坐立不安的时刻。尽管物流和半烘焙的建筑混乱，但世博会使城市的精神裹尸变得活跃，而标志性的公共人物乔治阿玛尼帮助将注意力吸引到了一个新的时尚博物馆和最近的好莱坞式的40周年庆典上。但是没有人做更多的事情来照亮一个真正的长期，
5月9日，这座城市的国际和光明镜头，比MiucciaPrada和帕特里齐奥·贝尔泰利开放他们期待已久的FondazionePrada的大门。

在十多年的作品中，丰达奇以“系列经典”(SerialClassc)开场，这是一场由塞尔瓦托·塞蒂斯策划的展览，它的每一次炒作都是围绕着它展开的。这个项目雄心勃勃-10座不同的建筑，充斥着令人眼花缭乱的当代和现代艺术的选择，就像一座跨越1.9万平方米的迷宫一样-也同样令人满意。

“人们一直在问我，这是一个艺术画廊、一个公共博物馆还是一个私人基金会，”贝泰利在对这座大型建筑群的私人预览中告诉我们，“事实上，我们想把这三处建筑都放在一起。”它是非常均匀的，同时也是非常不均匀的。“

在视觉上，普拉达基金会是一个有趣的霍奇山庄，由不同的建筑、风格、空间大小、创意主题和时间段组成。闪亮的镜面与原始的混凝土内饰作斗争；狭小而密密的房间与空仓大小的机库形成鲜明对比。没有一个典型的计划，发现过程就在没有预先设定好的路径的情况下展开，不过在韦斯·安德森(Wes Anderson)设计的咖啡厅里停了下来，里面裹着令米兰闻名遐迩的墙纸。加里亚-维托里奥·伊曼纽尔二世将是一个很好的起点。

这是一家以前的酿酒厂，这里有七座可以追溯到1910年的不同建筑，再加上三座新建筑(其中一座名为Torre，目前仍在建造中)，都设在一个高墙、充满艺术气息的校园里。数百件艺术品来自Fondazione Prada的私人藏品，以及非永久性展品和特定地点的设施。

普拉达的长期合作者雷姆·库哈斯(RemKoolhaas)说：“我们的意图是在这里实现新老作品的无缝结合。”他的OMA建筑公司负责设计这座建筑。“在任何时候，你都无法真正判断你是在老建筑里还是在新建筑里。”

位于城市南部，与荒凉的铁轨相望的普拉达(Fondazione Prada)社区，是镇上一个绝对不太酷的地方。库哈斯强调说，这个地区的惊人之处在于它的工业质量。“我们绝对不想在这里制造任何绅士化-这对我们所有人来说都是至关重要的。”

经典的米兰人或许不会对周围的房地产造成冲击，但这片空间本身-就像一个拥有迷人的公共空间和露天庭院的创意村庄-肯定会成为一种诱惑，不仅对这个城市的居民设计阶层来说，对世界顶尖的艺术和建筑场景设计师来说也是如此。老实说：这是米兰最需要的东西(不仅仅是六个月的弥撒、美食盛宴)。

The project is massively ambitious – 10 different buildings packed with a dazzling selection of contemporary and modern art sprawl like a labyrinth across 19,000 sq meters. Photography: Bas Princen, Courtesy of Fondazione Prada

For more than 20 years the fashion brand has been staging art exhibitions in a variety of spaces, but now they will all be housed in this redesigned industrial neighbourhood of Milan. Photography: Bas Princen, Courtesy Fondazione Prada

No museum or gallery is complete without a decent food and beverage option, and the Fondazione’s Wes Anderson-designed bar truly breaks the mould. Photography: JJ Martin

The ceiling is wrapped in Galleria Vittorio Emanuele-themed wallpaper, while the colour colour palette of the Formica furniture and veneered wooden panelling alludes to the Milanese cafes of the 1950s and 60s. Photography: Attilio Maranzano. Courtesy Fondazione Prada

4220790325001 A few of the diverting offerings of Wes Anderson's bar, and a colour-turning 'Eat' sign in action. Photography: JJ Martin, Video: Antonio Camera

One of the most striking effects at the Fondazione Prada: a classic, Italian working class building dripping - or painted, at least - in 24-karat gold. Photography: JJ Martin

The vast complex also houses a cinema. Like the gleaming exteriors, seats have the golden touch too. It can be transformed into an open theatre, too. Photography: JJ Martin

The cinema's first showing will be Roman Polanski's latest film. Photography: Antonio Camera

A view of the new Milan venue of Fondazione Prada, pioneered by OMA. Photography: Bas Princen, Courtesy of Fondazione Prada

The space itself unfolds like a creative village with charming public spaces and open-air courtyard. Photography: Bas Princen, Courtesy of Fondazione Prada

Dutch Architect Rem Koohlhaas and his firm OMA transformed the old distillery into a sprawling complex of nearly 19,000 sq meters. Photography: Bas Princen, Courtesy Fondazione Prada

Visually, the Fondazione Prada is an intriguing hodge-podge of different buildings, styles, spatial sizes, creative themes and time periods. Photography: Bas Princen, Courtesy of Fondazione Prada

The Milanese centre, which launches officially on 9 May, will be open to the public seven days a week. Photography: Bas Princen, Courtesy Fondazione Prada

A campus of buildings set around a courtyard make up the elaborate and sprawling setting of Prada's new home. Photography: Bas Princen, Courtesy Fondazione Prada

Prada and Bertelli's aesthetics seamlessly translate into the building’s contrasting architecture. Photography: JJ Martin

A view of Fondazione Prada. Shiny mirrored surfaces battle against raw concrete interiors; tiny, intimate rooms contrast with vacuous warehouse-sized hangars. Photography: JJ Martin

Exhibition view of ‘Serial Classic’, co-curated by Salvatore Settis and Anna Anguissola. Photography: Attilio Maranzano, Courtesy of Fondazione Prada

One of the many pieces of Prada's art collection: 'Penelope'. Courtesy of Tubingen, Institut fur Klassische Archaologie

'Serial Classic' explore seriality and copying in classical art through a collection of ancient sculptures and reproductions which are arranged over a landscape of stone slabs. Photography: Antonio Camera

Displays range from busy, salon-style displays of paintings to wider, open spaces. Flexibility and adaptability were essential for both Koolhaas and Bertelli. Photography: JJ Martin

Damien Hirst’s ‘Lost Love’ fills one of three adjacent structures from the original ‘Cisteria’, as seen from above here. Photography: JJ Martin

A closer look at Damien Hirst’s ‘Lost Love’, the famous submerged gynaecologist’s office which houses shoals of African river fish, originally created for an exhibition at Gagosian Gallery, New York. Photography: Antonio Camera

'Corner Door and Doorframe,' by Robert Gober. Photography: Attilio Maranzano, Courtesy of Fondazione Prada

Shiny mirrored surfaces battle against raw concrete interiors and exteriors. Photography: Antonio Camera

Set in the southern section of the city across from bleak railroad tracks, Fondazione Prada’s neighbourhood is a fry cry from the trendy and affluent parts of town. Photography: Antonio Camera

Original industrial buildings of the old distillery are juxtaposed with dramatic and bold new ones; a permanent interaction of new and old. Photography: Bas Princen, Courtesy Fondazione Prada

Prada Foundation's new home has more than twice the exhibition space than that of the new Whitney Museum of American Art. Photography: Bas Princen, Courtesy Fondazione Prada

The ambitious project was a decade in the making. Photography: Bas Princen, Courtesy Fondazione Prada

Milan may be known as the heart of the fashion and furniture design world, but contemporary art has never been its forte - until now. Photography: Bas Princen, Courtesy Fondazione Prada

The Sud gallery and the Deposito host 'An Introduction,' which features cars by artists Elmgreen & Dragset, Carsten Höller, Tobias Rehberger and Sarah Lucas. Photography: Antonio Camera

A closer look at Sarah Lucas’s Marlboro Light cigarettes-covered vehicles. Photography: Antonio Camera

Prada's private collection has been liberally borrowed from to put on ‘An Introduction’. Photography: Attilio Maranzano. Courtesy Fondazione Prada

Barnett Newman, Donald Judd and Jeff Koons all hang side by side in a 15th-century 'studiolo' display. Photography: Attilio Maranzano. Courtesy Fondazione Prada

Rem Koolhaas intended to make old and new work seamlessly. Photography: JJ Martin

‘People keep asking me if this is an art gallery, a public museum or a private foundation,’ Bertelli told us in a private preview. Photography: Bas Princen, Courtesy of Fondazione Prada

Some areas of the 1910 distillery - old warehouses and brewing silos - remain in their raw, quirky states, while others have been reimagined in white concrete, aluminium and glass. Photography: Bas Princen, Courtesy Fondazione Prada

New Milan venue of Fondazione Prada, pioneered by OMA. Photography: Antonio Camera

A view of the compelling campus as the sun sets. Photography: Bas Princen, Courtesy of Fondazione Prada

Tiny, intimate rooms contrast with vacuous warehouse-sized hangars. Photography: Antonio Camera

Prada and Rem Koolhaas' collaborations have ranged from flagship stores in New York and LA to an ambitious Transformer pavilion in Seoul. This Milanese playground is their latest joint project. Photography: Antonio Camera

Conceived by OMA and led by Rem Koolhaas, Fondazione Prada combines preexisting building with three new structures, transforming a former distillery into a mammoth exhibition space. Courtesy OMA and Fondazione Prada

keywords:Fondazione Prada, Miuccia Prada, Patrizio Bertelli, Prada, OMA, Rem Koolhaas, Milan

关键词：Prada基金会、Miuccia Prada、Patrizio Bertelli、Prada、OMA、Rem Koolhaas、米兰