The Haringey Brick House in north London completes a row of Victorian terraces with a design which is 'both modern and antique'

规模大并不是给人留下持久印象的唯一方法，萨迪什·贾萨尔·建筑师(Satish Jassal Architect)的“哈林盖砖屋”(Haringey Brick House)就是一个成功的小房子的最佳例子。

在2015年riba伦敦地区建筑奖的入围名单上，这座一居室的两层住宅占据了一个限制性的360万x 1100万个露台末端，完成了一排维多利亚式的露台，同时通过确定形状和材料的组成来断言它的现代特征。

参观哈林盖砖房

Jassal学习了维多利亚时代周围建筑的关键元素，并对附近建筑的水平和垂直节奏做出了抽象的解释，并使用了一种材料调色板(砖、橡木和古董黄铜)，这些材料随着时间的推移而改善。他说，这样，他的设计就变成了“现代和古色古香的”。

材料在设计中起着关键作用。贾萨尔从德国哲学家马丁·海德格尔的作品中获得了灵感，尤其是他的“艺术作品的起源”哲学。海德格尔认为，“地球”(自然)和“世界”(人类活动)是一个不断对话，正是从这种关系，‘真相’可以被揭示。类似的原则也被应用于房子的设计中，在这里，天然材料被共同制作成一个人类活动的中心。

暗棕色的，斑驳的，西霍斯利夏普索恩砖立面，在门窗周围点缀着金色橡木的部分。复杂的木匠继续在物业内，定制的集成固定物供应和安装拉脱维亚木匠。手工砖块暴露在底层内部，提供精心制作，纹理背景，以抵消纯白色厨房表面。

该设计是完美的细节，旨在获得最大的潜力，从每一个材料。例如，有三个品种的砖结合-深凹砂浆强调-定义不同的区域在整个家庭，而这些模式的缩影也巧妙地再现在浴室瓷砖。

正是这些细致的细节和装饰决定了房子的整体结构。在这样一个舒适的脚印下，室内陈设必须适应并实现多种功能：木材角落的楼梯变成了座椅，入口以路易·卡恩(Louis Kahn)启发的木制窗台座椅为特色，可以看到层叠的明星茉莉花种植；在外面，前花园巧妙地容纳了长凳下的一家自行车店。

2.5米高的天花板、全高度的玻璃和门道也有助于创造空间的错觉。Jassal说：“我们努力让一个小空间显得很大，但同时又把它封闭起来，仔细定义。”

Shortlisted for the 2015 RIBA London Regional Awards for Architecture, the house references the rhythms of surrounding properties - such as the verticality of windows and continuing horizontal lines of the Victorian style - but adds a contemporary twist

The dark brown, mottled, West Hoathly Sharpthorne brick façades are interspersed with sections of golden oak around doors and windows. The bricks are laid in three distinct bonding patterns (stretcher, vertical stretcher and stack bonding) to distinguish different zones within the home

The external architectural language continues inside; the architect worked with natural materials, such as timber and brick

A background of natural brown tones perfectly offset the polished white kitchen surfaces

Bespoke furnishings make the most of every little space available, with built-in benches, hidden bike stores and multi-purpose features maximising the compact floorplan

The intricate golden oak carpentry was manufactured and fitted by Latvian carpenters, achieving a high quality level of detailing

The recessed bench set into the entrance wall is one the architect's favourite features. Inspired by the Louis Kahn window seat in Fisher House, the seat cantilevers out from the wooden wall, with views onto cascading star jasmine planting outside

The curtain of star jasmine on the facade is one of the house's many special features; it provides shading, privacy and greenery, while helping rainwater from the balcony to drain through strategically placed holes and copper chains

The stairs double up as a seat and table; one more detail that makes this thoughtful little house feel much bigger

The restricted nature of the site decreed that windows were only permitted at the front and to one side. A carefully positioned rooflight above the stair draws light into the rear of the property

The antique brass handrail guides visitors up a narrow wooden stair, which hugs the corner of the building. The top three treads become solid and white to reflect the changing architectural language between the floors

The first floor features a lighter interior colour palette. The white bathroom tiling echoes the three styles of brick patterns encountered downstairs

Full-height windows, doors and wardrobes were especially designed to emphasise the 2.5m ceiling height 

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