Dallas hosted the inaugural Soluna International Music and Arts Festival, a three-week event that concluded on Sunday. Pictured here is one of the many visual works created for the festival, Francisco Moreno's 'WCD' Project, Washington Crossing the Delaware

凯文·比斯莱(Kevin Beasley)最近在达拉斯艺术馆的表演开始于这位艺术家在博物馆高耸的中庭里放着麦克风的摇椅，他的黑色王座连接着24个座椅垫，同样用麦克风连接着，散落在他周围的地板上。贝斯莱选择的由嘎吱作响的椅子、垫子和音乐曲目组成的唱诗班形成的旋律。一小撮观众挤进了一大群人，他们一直呆到半夜，一边聊天，一边跳舞，一边吃饭，一边喝酒，一边看一边听着。

这个周五的“深夜”是这座城市的最新合作高潮，这座城市长期以来一直处于上升状态，将其蓬勃发展的经济引向了美国最大的城市艺术区。用DMA主任Maxwell Anderson的话来说，达拉斯市中心这片68英亩的区域“是一条非常整洁的街道，所有这些不同的纪念碑都是由星光大道建造的。”由I.M.Pei、Renzo Piano、Norman Foster和Rem Koolhaas建造的建筑物沿着道路排列。随着其令人印象深刻的基础设施的完成，该地区的文化组织现在集中在确定他们的个人身份，他们的共同目标和期望的观众。这种合作的雄心和强度在索鲁纳国际音乐艺术节(Soluna International Music And Arts Festival)的开幕式上得到了体现，这是一场为期三周的活动，于周日闭幕。

由达拉斯交响乐团及其音乐总监雅普·范·绥登(Jaap Van Zweden)领导，此次艺术节的主题是“目的地(美国)”，由各学科、达拉斯文化组织以及比斯利(Beasley)、皮皮罗蒂·里斯特(Pipilotti Rist)、亚历克斯·普拉格(Alex Prager)、雅埃尔·巴塔纳(Yael Bartana)和蒙特莱斯特(Monte Laster)等达拉斯交响乐团总裁兼首席执行官乔纳森·马丁(Jonathan Martin)说，这个城市已经在这个艺术区花费了15亿美元，在这个艺术节之前，真的没有一个经常一起演奏的沙箱。“我们都在这里，但我们都有礼貌地做自己的事情。”

将音乐节扩展到管弦乐之外的一个关键力量是范·绥登的女儿安娜·索菲亚，她对当代艺术充满热情。她在谈到达拉斯时说，表演艺术和项目都有很好的机会突破界限。“我们想通过Soluna创造一个平台，艺术家们可以在这个平台上相遇，合作，并带着疯狂的、无拘无束的想法，这是我们的梦想，让这些想法为他们和他们一起实现。”

电影节开幕之夜的主角是洛杉矶的普拉格(Prager)，他的三部电影“在人群中的脸”(2013)、“La Petite Mort”(2012)和“绝望”(2010)都与达拉斯交响乐团现场演出的原创乐谱一起放映。另一个晚上是为里斯特的新电影，委托陪同表演的米克洛斯罗兹萨的安兰特为弦乐，作品22a。比斯莱的作品，也是为音乐节委托的，是与声音本身的物理性有关的。

另一个节日的亮点是来自德克萨斯州的Laster的视频委员会，他自1994年以来一直在巴黎工作。他的目的地，在美国阵亡将士纪念日前夕，在屏幕上展开了五个动作，范兹维登主持了一个爱国热门节目。这段由五部分组成的视频与当地一所表演艺术高中的学生合作制作，涉及移民和身份问题。‘我发现关于目的地主题的有趣之处是个人旅程和身体上的迁移；“运动”具有许多意义，并引发了新的问题。

The piece consists of a performance and installation based on the famous 1851 painting combined with a Japanese export car refurbished by Mexican-American brothers

The festival was conceived as a collection of collaborations - among disciplines, Dallas cultural organisations, and visual artists. Pictured here a screening of artist Yael Bartana's Inferno (2013), a film about the inauguration of a replica of Solomon's Temple in Sao Paulo, Brazil

The festival was led by the Dallas Symphony Orchestra and its music director, Jaap van Zweden

The Morton H. Meyerson Symphony Center, home to the Dallas Symphony Orchestra and constructed of Italian travertine marble, Indiana limestone, and concrete

The lobby of the center is designed by I.M. Pei and completed in 1989. The stairs lead to the McDermott Concert Hall, a 'shoebox'-style music chamber

Another festival highlight was a video commision from Paris-based artist Monte Laster, 'Destination in Five Movements.' A participatory artwork made with Dallas schools and other organizations over a period of six months

The video was shown in conjunction with the Memorial Day salute to the Armed Forces by Jaap van Zweden and the Dallas Symphony

'Late Night' at the Dallas Museum of Art that welcomed thousands of visitors until midnight. A collaborative crescendo for the city, channeling its booming economy into the largest urban arts district in the United States

New York artist Jean Shin created Celadon Landscape for the Crow Collection of Asian Art Sculpture Garden in Dallas. The ceramic monumental sculpture is on view through the end of 2015

A view of the Dallas Arts District, a 68-acre, 19-block neighborhood in the heart of the city. Cultural buildings by I.M. Pei, Renzo Piano, Norman Foster, and Rem Koolhaas line the road

Designed by Joshua Prince-Ramus and Rem Koolhaas, the Dee and Charles Wyly Theatre is part of the AT&T Performing Arts Center in the district. The 575-seat theater can fit all kinds of configurations

The compact, vertical orientation of the 12-story building allows support spaces to be stacked above and beneath the auditorium rather than wrapped around it

keywords:DMA, Kevin Beasley, Soluna International Music and Arts Festival, Dallas Symphony Orchestra

关键词：DMA、Kevin Beasley、索罗纳国际音乐艺术节、达拉斯交响乐团