soviet modernist rem koolhaas designed garage museum of contemporary art opens in moscow

2015-06-11 15:02
OMA's Rem Koolhaas has reinvented Moscow's Garage Museum of Contemporary Art, complete with a brand new façade which detaches itself from its factory-like predecessor Bakhmetevsky Bus Garage. Photography: David X Prutting/BFAnyc.com
建筑工作室oma将20世纪60年代苏联现代主义的废墟复活为莫斯科高尔基公园(Gorky Park)的当代艺术博物馆,恢复了原有的特色,并将两层高的空间包裹在闪闪发光的聚碳酸酯外墙上。
这座面积5400平方米的建筑是2008年由艺术收藏家、慈善家达莎·朱科娃(Dasha Jukova)创立的车库艺术中心的新永久住所,该中心以该中心的第一个所在地-康斯坦丁·梅尔尼科夫(Konstantin Melnikov)-设计的巴赫梅特夫斯基(最近,由日本建筑师Shigeruban设计的附近展馆提供了一个临时住所。
这座新建筑与勃列日涅夫时代的前身勃列日涅夫(Brezhnev)完全不同,那是一家拥有1200座席位的vremena goda餐厅,OMA创始人雷姆库哈斯(Rem Koolhaas)在二十多
库哈斯说:“我们所做的是保存它衰败的一些历史。对我来说,整个保护运动的最大谬误是,它只能保存伟大的纪念碑。”
新的建筑干预包括一个双高大厅,容纳大型委托项目,如首次来到车库!由俄罗斯艺术家埃里克布拉托夫绘画。
双层半透明聚碳酸酯外墙也作为一个空间,以隐藏建筑物的电力服务,而两个11米宽的面板在建筑物的两侧向上滑动,揭示意见内外。车库策展人凯特·福尔(Kate Fowle)说,这创造了一个独特的“视觉界面”,公园里也有修剪过的草坪和一个人造海滩,年轻的莫斯科人在雕塑的躺椅上晒黑。
库哈斯认为,20世纪60年代苏联建筑的巨大规模提供了一个独特的机会,可以尝试以一种“激进”的方式进行保存,增加画廊、教育设施、礼堂和外观相当实用的咖啡馆。
在里面,原来的砖块已经被曝光,而“发现”的特征,如破碎的马赛克艺术品和苔藓-绿色瓷砖-曾经在苏联内部随处可见-与当代混凝土和桦木地板结合在一起。
OMA的创新设计与莫斯科相对保守的艺术舞台形成鲜明对比,在那里,政治作品仍然被认为是极具争议性的。首个项目避免了类似的问题,比如Kusama的一些有趣的作品,其中包括公园的几棵树被艺术家标志性的Polkadot图案覆盖,Rirkrit Tiruanija的“乒乓俱乐部”莫斯科,以及一个小的混凝土空间,最终将包含一件由核废料制成的作品。它将于3015年“到达后”处理。
With sleek, geometrical lines and an emphasis on horizontality and modernist traits, this new architecture reflects OMA founder Rem Koolhaas's desire to retain elements of the past. Photography: Yuri Palmin. Courtesy of Garage Museum of Contemporary Art
The building's angular appearance is striking in the otherwise completely natural and green environment of Gorky Park. Photography: Yuri Palmin. Courtesy of Garage Museum of Contemporary Art  
However although the building is modern and very architectural in form, its reflective surfaces also make it one close to nature as it blends into the mirrored environment. Photography: Yuri Palmin. Courtesy of Garage Museum of Contemporary Art
From up close, the facade seems rougher, as though sanded. Photography: Yuri Palmin. Courtesy of Garage Museum of Contemporary Art
The architecture is complemented with playful designs by Japanese artist Yayoi Kusama: the trees surrounding the museum are covered in red paint and white spots. Photography: David X Prutting/BFAnyc.com
This repetitive pattern, typical of Kusama's work, galvanises the space and gives it colour. Photography: David X Prutting/BFAnyc.com
Russian artist Eric Bulatov stands next to his large-scale painting which reads 'Come to Garage!' His pioneering work generally mocks Soviet propaganda and totalitarian regimes. Photography: David X Prutting/BFAnyc.com
Echoing the outdoor tree installations, Kusama's 'Dots Obsession' room painted in red and covered with white dots refers to the artist's hallucinatory visions of multiplying objects and patterns. Photography: Egor Slizyak. Courtesy of Garage Museum of Contemporary Art
Simarly, Kusama's 'Infinity Room' embodies her way of envisaging the world: a succession of random dots overwhelming and blurring her rational perceptions. Photography: Egor Slizyak. Courtesy of Garage Museum of Contemporary Art
A collection of black and white photogaphs entilted 'Love Me, Love My Umbrella,' whimsically taking after the title of a Jabberheads' song, populates the walls of a dedicated room at Garage. Photography: Egor Slizyak. Courtesy of Garage Museum of Contemporary Art
The photographs exhibited are strategically placed, voluntarily leaving the brickwork visible for instance, so as to both compliment the surrounding architecture and the pieces themselves. Photography: Egor Slizyak. Courtesy of Garage Museum of Contemporary Art
Garage's permanent collection is comprised of documentary and artistic photographs... Photography: Egor Slizyak. Courtesy of Garage Museum of Contemporary Art
...But also of major paintings by Pollock, Odilon Redon, De Chirico, Dali and many others... Photography: Egor Slizyak. Courtesy of Garage Museum of Contemporary Art
A design corner has been established in the new Garage premises, displaying mundane and precious objects which marked Russian history. Photography: Egor Slizyak. Courtesy of Garage Museum of Contemporary Art
keywords:Garage Museum of Contemporary Art, Rem Koolhaas, OMA, Moscow, architecture
关键词:车库现代美术馆,雷姆·库哈斯,OMA,莫斯科,建筑
建筑工作室oma将20世纪60年代苏联现代主义的废墟复活为莫斯科高尔基公园(Gorky Park)的当代艺术博物馆,恢复了原有的特色,并将两层高的空间包裹在闪闪发光的聚碳酸酯外墙上。这座5400平方米的建筑是一座新建筑.

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