A new show of Miró masterworks at Nahmad Contemporary sheds light on the Catalan master’s complex and profound engagement with American abstract art. Pictured left: Oiseau dans la nuit ('Bird in the night'), 1967. Pictured right: La Marche pénible guidée par l'oiseau flamboyant du désert ('The sorrowful march guided by the flamboyant bird of the desert'), 1968

1947年，当琼·米罗访问美国时，这是他第一次访问这个他已经是明星的国家。米罗的早期作品-创作于20世纪20年代至40年代-为美国的先锋派提供了一种受欢迎的选择，取代了几何抽象的不孕症；在第二次世界大战之后，这是一种更为情绪化的信息。1941年，他在纽约现代艺术博物馆享受过一次回顾展，据说他的风格激发了罗斯科、波洛克、高尔基和德库宁等明星的灵感。

这位加泰罗尼亚艺术家没有预料到的是，接触他所激发的年轻抽象表现主义者的作品会引发一场有价值的创作交流。他们的活力、大胆和勇敢唤醒了米罗的新艺术活力，最终推动了他后来作品的解放。在访问美国时，米罗说：“这向我展示了我们可以超越极限的自由，以及我们可以走多远。”从某种意义上说，它解放了我。

这是艺术家更开放的，戏剧性的后期作品-在这20年的‘解放’期间创作的，这是这个新的个展的焦点在纽约的Nahmad当代。将米罗的新发现的自由与太空中的鸟的自由进行比较，恰当的标题是“奥赛奥·丹斯·欧斯空间”(Oiseaux dans L‘Espace)，它颂扬着他生命最后二十年创作的孕育形式、繁荣、滴水和飞溅。

Focusing on the work he created in the final two decades of his life, the show illustrates how the artist's first trip to America in 1947 influenced the rest of his career  

Miró's early works from the 1920s, 30s and 40s are said to have inspired stars such as Rothko, Pollock, Gorky and de Kooning, to name just a few. Pictured left: Oiseau éveillé par le cri de l'azur s'envolant sur la plaine qui respire ('Bird woken by the cry of the azure flying away across the breathing plain'), 1968. Pictured right: Le Vol de l'oiseau par le clair de lune ('The flight of the bird by moonlight'), 1967

In turn, during his trips to America, Miró's exposure to the work of the young American painters that he had helped to inspire awakened a new artistic energy within him and was ultimately the catalyst to the liberation of his late works. Pictured left: La Marche pénible guidée par l'oiseau flamboyant. Pictured right: Personnage aux 3 cheveux, oiseaux, constellations ('Figure with 3 strands of hair, birds, constellations'), 1976

Miró has said of his visits to America: 'It showed me the liberties we can take, and how far we could go, beyond the limits. In a sense, it freed me.' Pictured: Oiseau dans la nuit, 1967

Aptly titled 'Oiseaux dans L’Espace', the new show at Nahmad Contemporary celebrates the gestating forms, flourishes, drips and splashes that characterised Miró's masterworks from the 1960s and 1970. Pictured: Femme à la voix de rossignol dans la nuit ('Woman with the voice of a nightingale in the night'), 1971

keywords:Joan Miró, Oiseaux dans L’Espace, Nahmad Contemporary, American art, modernist

关键词：琼米罗́，奥赛奥丹斯L‘Espace，纳黑德当代艺术，美国艺术，现代主义