Pace London's two summer exhibitions, 'Signal Failure' and 'Faux Guide', will run until 8 August. Collecting artists such as Sara Barker, Philomene Pirecki, Cédric Eisenring, Mathis Gasser, Scott Lyall, Sergei Tcherepnin and Tobias Madison, the former examines Agnes Martin's artistic approach from multiple viewpoints. Photography courtesy of the artist and Pace London

夏季艺术季节的活动和事件层出不穷，从令人兴奋的户外设施到延伸到全球所有城市的庞大项目。现在是节奏的转变，不仅是一个，而是两个夏季展览-艾格尼丝·马丁(Agnes Martin)-影响了“信号失败”(Signal Failure)和伊托·巴拉达(Yto Barrada)的“人造指南”(Faux Guide)-在伯灵顿花园(Burlington Gardens)的画廊伦敦前哨展出，离皇家学院的主庭院只有一箭之遥。

与泰特·现代(Tate现代派)最近推出的阿格尼丝·马丁(Agnes Martin)回顾展相呼应，画廊将其西区中心的上层空间分配给了已故抽象印象派艺术家，汇集了当代艺术家-比如萨拉·巴克(Sara Barker)、菲洛米娜·皮雷斯基(Philomene Pirecki)、塞德里克·艾森林(Cédric Eisenring)、马西斯·加塞尔(Mathis Gasser)、斯科特·莱尔(Scott Lyall)、

“信号失败”的目的不仅仅是解决马丁的生活和工作问题，更重要的是，她对自己快速发展的环境的反应方式，充满了中介关系和沟通。她的回答很简单，但不寻常；她与“她回到世界”一起工作。马丁花了时间，忠实于传统的、物理的工作方式，抵制了20世纪60年代数字图像制作的迅速扩散，用原色和形状描绘出永恒的铅笔线图像。

马特-加塞尔和塞德里克·艾森林的“黄门”是展览中最引人注目的作品，它用均匀的、重复的黄色金属栅格遮住了整个空间。巨大的“大门”让马丁渴望探索和开发空间，将她的绘画作品输出到物质世界。此外，这部作品还赋予了观众对空间和时间的感知-改变了我们的物理本能，减慢了我们的速度。

在一楼有一场名为“人造指南”的新作品展览，它是对收集心理的探索，发现空间里点缀着奇特的生物和艺术品，作为考古发现展示。

这位摩洛哥出生的艺术家对无形真理和物理模糊之间的隔阂感兴趣，这使得古生物学成为一个理想的主题选择。展览恰如其分地反映了这一点，展览集中展示了漂浮的岩石、人类大小的恐龙、压碎的乒乓球和色彩鲜艳的地毯-艺术家自己就是名副其实的“假向导”，就像把游客带进自己发明的城市的卡巴推销员。展览设计还采用了以柏柏尔地毯的彩色条带为界的地质时间尺度的结构，与墙上的油漆部分相对应。

这些文物属于考古学、博物馆学和科学领域，具有很强的主观知识质量。一个指南，可能不一定是假的，但却是个人的。

Pictured (foreground): Sara Barker's delicate sculpture, In semi-darkness she reclines and pretends to read. (Her compositions have been defined as 'drawings in space'.) The show's works exist within the spatial conditions imposed by Mathis Gasser and Cédric Eisenring's Yellow Gate (background), which fragments the gallery's space. Photography courtesy of the artist and Pace London

Sergei Tcherepnin's Rotating Box comprises an unstretched canvas that operates as the ground for two brass elements, wired up to transducers and a mini computer, playing a digital composition by the artist. Photography courtesy of the artist and Pace London

Yto Barrada's solo show 'Faux Guide' is located on the gallery's ground floor. Photography courtesy of the artist and Pace London

The exhibition design adopts the structure of a geological time scale, demarcated by coloured bands of Berber carpets that correspond to painted sections of the wall. Photography courtesy of the artist and Pace London 

Cast assemblages of fossils suggest an affinity between the use of cast sculptures and the models of nature used by artists, scientists and museums. Photography courtesy of the artist and Pace London

An assemblage of heart-shaped fake artefacts. Photography courtesy of the artist and Pace London

A close-up of one artifact – an irreverent take on the processes of paleontology. Photography courtesy of the artist and Pace London

The show includes photographs of dinosaur footprints and children’s toys from the 1930s, real and fake fossils, a mold of the hand of a fossil preparatory, a model of a complete dinosaur (pictured) and pedagogical paintings. Photography courtesy of the artist and Pace London

In autumn 2015, A Guide to Fossils for Forgers and Foreigners will be published; the catalogue includes examples of Barrada’s new work, and a number of texts written and selected by the artist. Photography courtesy of the artist and Pace London

The publication will explore notions of patrimony and shifting definitions of authenticity, with the author's trademark humor, subtlety and wit. Photography courtesy of the artist and Pace London

keywords:Pace London, summer shows, solo show, group show, Agnes Martin, Yto Barrada

关键词：佩斯伦敦，夏季展览，个展，团体展览，艾格尼丝马丁，伊藤巴拉达