'Servitudes' is a new audiovisual installation and vast spatial intervention by New York artist Jesper Just, on show in the lower gallery at Paris' Palais de Tokyo

纽约艺术家杰斯珀刚刚占领了巴黎的东京万国宫下面的画廊，一个壮观的视听装置和一个巨大的空间干预。展览名为“Servitudes”，由Dree Hemingway和Rylee Sweeney分别扮演的一个年轻女孩和一个残疾儿童两个角色的生活为主题，通过一系列视频引导参观者进行一次身临其境的太空之旅。这两个角色分别由Dree Hemingway和Rylee Sweeney饰演。

通过声音的存在和操控，人物在影片中反反复复，相互作用，探索唯物主义的主题、青年理想和女性气质以及身体和自我的界限。有趣的是，这出戏是在纽约的“一个世界贸易中心”(One World Trade Center)的背景下上演的，它既是复原力的象征，也是失落的象征，正如刚才所解释的那样，它本身

“在电影中，场景就像一个媒介，就像一个聚会场所一样-把角色组合在一起，把它们区分开来，充当一道大门、一道屏障和一面镜子。”这些人物不仅在这个空间内相互作用，而且还与之互动：调查他们自己身体的界限，测试他们各自对城市景观的自主性。

在由朱利奥·里道福(Giulio Ridolfo)用230米Kvadrat的祖鲁纺织品制成的一系列分隔房间的窗帘和屏风中，游客们在音乐和声音的引导下，从一个空间走到另一个空间，从视频到视频，重叠和连接每一次体验。

The exhibition takes visitors on an immersive journey through the space, guided by a series of videos that revolve around the lives of two characters: a young girl and a disabled child

Linked through the presence and manipulation of sound, the characters mirror, oppose and interact within the videos, exploring themes of ableism, ideals of youth and femininity as well as the boundaries of body and selfhood

The drama plays out against the backdrop of New York's One World Trade Center, a symbol of both resilience and loss which, as Just explains, becomes a character in itself: 'In the films, the setting appears as much as a mediator as it does a meeting place'

Visitors are guided through the space by a series of room dividing curtains and screens made out of 230 metres of Kvadrat's Zulu textile 

The film's soundtrack propels visitors from one space to the next, video to video, overlapping and linking each experience

keywords:Jesper Just, video, music, Palais de Tokyo, Paris, installation, multimedia, experiential

关键词：杰斯珀，视频，音乐，东京宫殿，巴黎，安装，多媒体，体验