Czech glass company Lasvit has snapped up the Napoleonic Staterooms at the Palazzo Serbelloni for a show-stopping Salone del Mobile exhibition of their new lighting and homeware collections. Pictured: the Napoleonic Staterooms at the Palazzo Serbelloni

在米兰一年一度的设计周期间，围绕这座城市举办的壮观展览是一种常态，也就是提前一年开始争夺黄金地段的现象。库多斯当时是捷克玻璃公司拉萨维特(Lasvit)的代表，过去一年里，他在拿破仑宫(Palazzo Serbeloni)修复了18世纪波希米亚水晶吊灯后，抢购了这些水晶吊灯，停止了他们的新照明和家居用品系列展览。

但是，拉萨维特并没有依靠房间的巨大规模和华丽的装饰来搭建场景，而是巧妙地引入了一系列光滑的黑色立方体式冰屋式结构，在这些结构中，你会发现像壁纸*手工制作的2016年设计师安德烈·福(AndréFu)的“TAC/TLAW”系列的水平和垂直吊坠和灯具，每一种结构都有一个漂亮的、低调的玻璃砖-灵感来自手工吹制的玻璃瓷砖。

此外，八个奢华、超现代的作品包括Moritz Waldemeyer完美的几何六角玻璃“小饰面”吊灯；用Boris Klimek的无定形玻璃板吊灯点亮棒棒糖；Maurizio Galante的《路德维希》，新古典禅的翻新。德雷尔的比例与大量的弯曲的工业玻璃管。突出的一块是马克西姆·维尔·奥夫斯克的“Memento Mori”吊灯，灵感来自于历史悠久的捷克教堂装饰骷髅在1870。

最后一间房是专门为拉萨维特收藏的各种玻璃器皿，其中有坎帕纳兄弟(Campana Brothers)的“欣欣向荣的糖果”眼镜和花瓶，丹尼尔·利贝斯金德(Daniel Libeskin)的锐角“冰”花瓶，以及米凯拉·梅特洛夫(Michaela Mertlová)的糖果色泡泡糖雕塑，上面都有艺术家的牙齿标记。

与此同时，在一楼，一个令人毛骨悚然的绿色3.3m高的银河间“流星”雕塑，由拉萨维特室内设计师petra Krausová和libor sošťák用1，500个单独照明的手制作的铀玻璃泡泡，灵感来自一颗小行星，小行星在大约1，400万年前撞上地球。将这种罕见的天然玻璃与先进的照明技术结合起来，设计了不同的效果，并由手机控制，设计师证明了这一点。完全有可能将传统和创造性设计融合在一起。太棒了！

Pictured: the restored 18th century Bohemian crystal chandeliers in the Napoleonic Staterooms at the Palazzo Serbelloni

Lasvit presented André Fu's 'TAC/TILE' family of horizontal and vertical pendants and lamps (pictured)

The Fu pieces all feature a beautifully understated modernist glass brick-inspired hand-blown glass tile. Pictured: 'TAC/TILE', by André Fu, 2016

Lasvit also present Moritz Waldemeyer's perfectly geometrical hexagonal glass 'Facet' chandelier. Pictured: 'Facet' (and detail), by Moritz Waldemeyer, 2016

Also on display is Maurizio Galante's 'Ludwig' (pictured) – a reworking of neoclassical chandelier proportions with a mass of curvaceous industrial glass tubes

The standout piece is this macabre Maxim Velčovský 'Memento Mori' chandelier inspired by a historic Czech chapel decorated with skeletons in 1870

The final chamber explores Lasvit's eclectic glassware collection with the Campana Brother's exuberant 'Candy' glasses and vases (pictured)

Michaela Mertlová presents 'Munchies' (pictured), a series of candy-coloured bubble-gum sculptures featuring the artist's teethmarks

Rather than relying on the enormous scale and opulent decoration of the rooms to set the scene, Lasvit introduced defined, staged areas in which the modern works sit comfortably

Pictured: installation view of the sleek black cubist igloo-like structures that contain the new works

Installation view

keywords:Salone del Mobile, Lasvit

关键词：Sonedel Mobile，Lasvit