Illustration by Antonio, New York Times Magazine, 1967

这可能被视为一个变幻莫测的行业，但当其他人轻率地放弃卑微的笔和纸，转而选择摄影时，传统的技术不仅经久不衰，而且在时尚界蓬勃发展。在一首从过去到现在的时装画的颂歌中，设计博物馆正在主持“绘画时尚”，这是20世纪和21世纪时装画的收藏。由时尚史家和作家科林·麦克道尔共同策划，并由慕尼黑加莱丽·巴茨的时装绘画专家乔埃尔·沙里奥拼凑了30多年。

'Couture I' by Morinerie, 2010

Mona Bismark portrait by Bouché

'Red Dress' by Mats Gustafson for Yohji Yamamoto, 1999

Illustration by Bérard, Vogue France, 1937

'Karl Lagerfeld' by Antonio, Vogue France, 1972

'Lingerie' by Antonio, Elle France, 1966

'At Home' by Antonio, New York Times Magazine, 1967

The design for the exhibition was conceived by Carmody Groarke Architects

The initial architects' model visualising the layout for the exhibition

The London-based architects have created a curved structure to provide an atmospheric walk-through for the illustrations on display... Photography by Timothy Davey

... and have also played with light by illuminating the panels Photography by Timothy Davey

A limited edition of 50 signed prints of this image, 'Fashion by Dior', by Francois Berthoud for Numero France, 2004, were created by A Practice For Everyday Life (the graphic designers of the exhibition). The image is also available as a poster in The Design Museum shop for £17

A limited edition of 50 prints of this image, 'Robes d'été', by Christian Bérard for Vogue France, 1935, were created by A Practice For Everyday Life (the graphic designers of the exhibition)

The exhibition, as designed by Carmody Groarke Photography by Richard Davies

Photography by Richard Davies

Photography by Richard Davies  

Photography by Richard Davies

Photography by Richard Davies