Installation view of 'Action', a solo exhibition by Christian Marclay recently opened at Aargauer Kunsthaus

当谈到克里斯蒂安·马克雷时，我们一直都是全神贯注的。这位瑞士-美国艺术家总是以最非凡的方式将声音、流行文化和视觉效果结合在一起，最近在瑞士Aargauer Kunsthauss举办的最近一次个展上，马克雷将注意力转向了拟声词的概念。

“行动”呼应了马克莱的最新著作，通过图形拼贴，探讨了文字的拟声词的潜力。展览还展示了他身临其境的视频动画围绕声音(2014-15)，以及早期和较不知名的作品，以及一些新的绘画和纸上的作品。

一次性壁纸*客座编辑（见W* 151）也与瑞士公司H. chler Fuhrimann Architekten配对，给传统的日本房子提供了现代的旋转。木制的亭子状的建筑为Marclay的悬挂卷轴（2011）首次亮相欧洲，并将在展览期间举办一系列的讲座、音乐表演和传统的茶艺仪式。

然而，奇怪的是，这个节目中大部分都是声音本身。
与他早期作品相比，AarauerKunsThaus提出的作品在观众中唤起声音，促使我们“听到我们的眼睛”。
我们倾向于回答“玛克莱的行动号召”。

The new exhibition focuses, for the first time, on his artistic interest in the subject of onomatopoeia

Red Plop, by Christian Marclay, 2014. © White Cube. Photography: George Darrell

Actions: Froosh Sploosh Wooosh Sskuusshh Splat Blortch (No. 2), by Christian Marclay, 2014. © White Cube. Photography: George Darrell

Echoing Marclay’s most recent work, ‘Action’ explores the onomatopoetic potential of written words through graphic collages

Installation view of 'Action'. Photography: René Rötheli

The one-time Wallpaper* guest editor has also paired up with Swiss firm Hächler Fuhrimann Architekten to give a modern spin to a traditional Japanese house. Photography: René Rötheli

The structure will play host to a series of talks, musical performances and traditional tea ceremonies through the duration of the exhibition. Photography: René Rötheli

The wooden, pavilion-like structure also houses Marclay’s Hanging Scrolls (2011) – presented in Europe for the first time. Photography: René Rötheli

What’s curiously absent from most of this show, however, is sound itself. Photography: René Rötheli

In contrast to his earlier works, the ones presented at Aargauer Kunsthaus evoke sound within the viewer, prompting us to ‘hear with our eyes’. Pictured (right): Grey Drip Door (The Electric Chair), 2006. Photography: René Rötheli

The exhibition also features his immersive video animation Surrounds Sounds (2014-15). Photography: René Rötheli

Installation view of 'Action'. Photography: René Rötheli

Whomp, by Christian Marclay, 2006. Courtesy of the artist and White Cube, London

Black Shlup, by Christian Marclay, 2014. © White Cube. Photography: George Darrell

Actions: Plish Plip Plap Plop (No. 3), by Christian Marclay, 2013. Courtesy of the artist and Paula Cooper Gallery, New York. Photography: Will Lytch

Installation view of Surrounds Sounds (2014-15). Photography: René Rötheli

keywords:Christian Marclay, Installations

关键词：克里斯蒂安·马莱，装置