Photography by Giovanni Giannoni

对于他的新兴配件系列，安德烈亚·因塞西的首次亮相就像一个经验丰富的专业人士。事实上，他在佛罗伦萨的Odeon在皮蒂·伊玛金期间的表现比我们在这一轮男装中看到的大多数节目更有灵感和创造性。坐在复古剧院郁郁葱葱、躺卧的天鹅绒椅子上的观众，第一次观看了由尤里·安卡拉尼尼(Yuri Ancaranii)执导的电影“等候室”(Waer Room)。观看由时装设计师自己执导的预告片“艺术”(The拖车艺术)，这是一部拍摄得很好但不太动人心弦的电影，主角在米兰过着他们的日常生活(其中很多人都是在车流量里等着慢门卫)，同时还带着或折叠影片清晰但坚韧的质感让人想起了卢卡·瓜达尼诺(Luca Guadagnino)的“我是爱”(I Are Love)的引人入胜的电影质量。然后，这部电影的特殊角色被复制为一场现场时装秀，它读起来更像是一个艺术装置，里面装的是像机器人一样围着坐着的观众走动的现场人物。这是一个值得一看的天才所做的令人耳目一新和成功的努力。

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni

Photography by Giovanni Giannoni