Abbots & Kinney, Adelaide, by Studio-Gram and Alex Hall Finely crafted pastries deserve a shop to match. Jonny Pisanelli is a pâtissier with a passion for making artisanal pastries. His inspiration was Abbot Kinney, the man who, in 1905, brought the magic of Venice's canals to Los Angeles. Pisanelli's pastries are all about giving bespoke craft a contemporary twist, something architects Studio-Gram and Alex Hall, as well as art director Dave Lawson of Crafty Design, wanted to highlight. Photography: David Sievers

一个“皱巴巴的纸袋”有悉尼之声。弗兰克盖里耗资1.8亿美元的周泽荣大厦，使用了300，000多块手工铺砌的砖块，吸引了人们对这座著名的桥梁和歌剧院的目光和游客，因为人们对它的引力不屑一顾。创造悉尼科技大学新建筑的涟漪皮肤是一项非常棘手的任务，退休的砖匠们必须从退休后才能完成这项工作。这位85岁的普利茨克获奖建筑师出席了这座建筑的揭幕仪式，他确信自己在这座城市创造了一个新的偶像。

盖里是许多外国设计师中的一员，他们打算在澳大利亚动工。在墨尔本，由库珀联盟建筑学院院长纳德·特赫拉尼领导的NADAAA与约翰·沃德尔建筑师联手创建了墨尔本设计学院。此外，墨尔本大学还赢得了联合国绿色建筑奖-以及对其设计能力学生的赞扬。

仅1公里外，马来西亚公司UEM日出已经打破了7亿3000万美元的住宅项目极光墨尔本中心，设计与墨尔本的Elenberg Fraser合作（澳大利亚小团队目前正在建设一个令人印象深刻的七个精品住宅楼）。

并不是说这一切都是为了几百万美元的建筑。斯特林奖得主阿曼达·莱维特(最著名的是英国伯明翰的主媒体中心和塞尔福里奇的共同设计师)被召唤来设计墨尔本的MPav室。澳大利亚版的伦敦蛇形画廊，MPavilionan将持续到2016年2月7日。今年，这也凸显了当地建筑师肖恩·戈德塞尔(SeanGodselel)的工作。戈德塞尔继续实现着沃尔纸业2002年的崇高预言，即他“注定要改变我们的生活方式”。

随着大宗商品价格下跌，珀斯的命运也随之下滑，这让霍巴特和阿德莱德成为值得关注的城市。百万富翁艺术画廊老板大卫沃尔什最近提出了一个新的大约莫里斯纽恩设计的码头进入霍巴特的港口。在一天下午的时间里，这座城市发现自己有了一座新的三层楼。它是莫纳美术馆渡轮的终点站，不久将有沃尔什的绝密重金属实验室-一个部分被淹没的科学实验室-与艺术空间相遇，这个空间由塔斯马尼亚的11号房间的建筑师设计，很快就会浮在市中心的德温特河上。

阿德莱德仍然是令人惊讶的中心，在世界上最宜居的城市调查中获得了高分，这得益于对特殊建筑的新发现——无论是大还是小。

这座城市曾经破旧不堪的西区，为南澳大利亚大学修建了耗资8000万美元的杰夫瑞智能大厦，对其进行了及时的改造。杰弗里·斯马特(JeffreySmart)的老师弗尔南多·莱格(FernandLéger)肯定会赞同这座建筑的立体式锯齿形和锯齿形，因为它在8层楼高时互相切割，折叠起来的玻璃正面随着太阳的照射而显露出精致的抽象图案。这座建筑环绕着一个向社区开放的庭院，并吸引了一群满意的午餐观众。附近，伍兹·巴戈特设计的南澳大利亚健康和医学研究所，绰号为“奶酪磨刀”，增加了哇因子，它的多面银质皮肤像一个巨大的镜子球一样闪闪发光。

在规模较小但同样重要的地方，由加拿大人格雷厄姆·夏博诺(Graham Charbonneau)和当地的戴夫·比克莫尔(Dave Bickmore)经营的阿德莱德工作室-格拉姆工作室(Studio-Gram)在城市的小巷、废弃建筑和不受欢迎的地区工作，创造了一个横跨酒吧、咖啡馆、艺术区、节日竞技场、舞厅和餐厅有的是一夜情，有的是为了留下来，都还在谈论。一个很好的触摸；StudioGram确保至少有一件定制的家具能够存活下来，甚至是他们创作中寿命最短的家具。当地的DJ Oisima现在一个工作室-格拉姆设计的混合桌上玩.建筑很少比这更小。

仰望天空，寻找下一个悉尼和墨尔本的大东西，但要让你的鼻子更靠近地面、河流或舞池，因为这些项目正在重塑霍巴特和阿德莱德。

Abbots & Kinney, Adelaide, by Studio-Gram and Alex Hall The result is bespoke timber bleachers facing a black wall that a define a pathway to the products. The store, however, is designed to be more than just an architectural beauty. Abbots & Kinney often takes to the road, serving up trademark sfogliatelles and more from vending carts and market stalls. The shop serves as a business card, allowing for brand recognition that in turn enables the agility needed to take the choux on the road. Photography: David Sievers

Aurora Melbourne Central, by UEM Sunrise Named after the natural light display Aurora Australis, (Down Under's equivalent of the Northern Lights), Aurora Melbourne Central is set to become Melbourne's largest integrated mixed-use development and the world's third largest residential development. Curvy and coated in a special glass, the building will reflect the city lights as well as the silvery hue of the nearby bay, creating its very own light show

Aurora Melbourne Central, by UEM Sunrise Developed by Malaysian-based UEM Sunrise and designed by Elenberg Fraser, the 92-storey, 269m skyscraper, to be built at a cost of $770m, will be located in the central business district

Aurora Melbourne Central, by UEM Sunrise It's still four years away from completion, but the 941 residential apartments, which will look out to both the sea and mountains, are already selling fast

Brooke Street Pier, Hobart, by Circa Morris Nunn  It's a rare building commission that sees an architectural practice team up with a boat-building team, but when you're planning to float your 4,300-tonne building into place, someone who knows how to keep things above the waterline comes in handy. MONA gallery owner David Walsh's Brooke Street Pier floated into town in January 2015, and it is as innovative as it is beautiful

Brooke Street Pier, Hobart, by Circa Morris Nunn  A lightweight superstructure made of lightweight polycarbonate ribs injected with insulating nanogel, creates a diaphanous skin that lights up at night. Inside, you'll find a local produce and product market, two cafes and a dining area with views over the harbour

Brooke Street Pier, Hobart, by Circa Morris Nunn  There's also a waiting lounge for the ferry that takes you to MONA. The boarding level can also be used as an entertainment venue, filling with up to 1200 people at night for events such as MONA FOMA – an annual festival curated by Brian Ritchie from Milwaukee alt rockers the Violent Femmes

The Bicycle Hub, Sydney, by Hill Thalis Architects Cycling has been closely associated with Sydney's Centennial Park for more than 100 years. The Empire Games cycling events were held here in 1954, the Sydney Olympic road race took in part of the park in 2000 and, more importantly, it's a place where people come for a relaxing ride. A recent survey of park users found that many visitors wanted a chance to saddle up, too, so Hill Thalis was commissioned to create a bike hire venue and cafe. The result is more than just a functional success. Photography: Hill Thalis Architects

The Bicycle Hub, Sydney, by Hill Thalis Architects The Bicycle Hub is wrapped in perforated metal and luminous acrylic paneling, giving off a warm glow as it reflects the sun's rays and serving as a marker for those seeking out a bike or a bite. The Hub also offers a covered picnic area and will later form part of a project to create a new cycling route into Centennial Park, that will link it with a new light rail project. The Bicycle Hub will open to the public in late 2015. Photography: Hill Thalis Architects

People's Republic of China Embassy pool enclosure, Canberra, by Townsend + Associates Townsend + Associates have created a place of reflection and beauty on the grounds of China's Embassy in Australia's capital city – the People's Republic of China Embassy pool enclosure. Photographer: John Gollings

People's Republic of China Embassy pool enclosure, Canberra, by Townsend + Associates Its opaque glass pavilion is flooded with natural light all year round, allowing users to bathe in sunlight, as well as water. Photographer: John Gollings

People's Republic of China Embassy pool enclosure, Canberra, by Townsend + Associates A simple palette of materials has been used, including double-glazed glass, steel and timber for a new deck area in the corner of the building which serves as a place to relax (just in case all that floating wasn't sedate enough). Photographer: John Gollings

CSL corporate headquarters, Sydney, by BatesSmart Small pox green and blood red are not obvious inspirations for the colours of a building, but when you're famous for plasma products and play a key role in health as the nation's vaccine provider why not wear your achievements with pride? The upgrade and expansion of a 1960s modernist building designed by Bates, Smart and McCutcheon (one of the world's oldest architectural firms) into CSL's corporate headquarters was carried out one with one eye on honouring the company's history of innovation, the other on reflecting the high-technology of the company's manufacturing processes. Photography: Trevor Mein

CSL corporate headquarters, Sydney, by BatesSmart The result was silver pods that are layered with colour, creating a strong branding statement and a unique light that filters in during the day. At night the pods glow like a billboard, trumpeting CSL's cutting-edge work. Photography: Trevor Mein

Green Chemical Futures building, Melbourne, by Lyons architects Look closely at Lyons architects' Green Chemical Futures building – it's one big molecular structure, and it inspires bonding (pardon the pun). Doors opened this year at the $80m Monash University lab building, which unites 100 researchers across education, research and practice. Photography: Peter Bennetts

Green Chemical Futures building, Melbourne, by Lyons architects Collaboration is the central focus of GCF – highly visible internal circulation promotes the concept of a transparent, shared enterprise. Photography: Peter Bennetts

Green Chemical Futures building, Melbourne, by Lyons architects The building also offers new lab spaces for over 1000 students and 100 industry partners. GCF will partner with a number of international institutions including Yale University and Waseda in Japan. Photography: Peter Bennetts

Moonlight Cabin, Victoria, by JCB Architects How small is too small? This was the question JCB Architects set out to answer with their 60 sq m Moonlight Cabin, completed in April this year. Photography: Jeremy Weihrauch

Moonlight Cabin, Victoria, by JCB Architects Screened in a native spotted gum timber, its shutters open out to enable ventilation and take in the stunning vista of the Southern Ocean from Moonlight Head, in southwest Victoria. Photography: Jeremy Weihrauch

Moonlight Cabin, Victoria, by JCB Architects With a views like this would anyone really complain about the size? Photography: Jeremy Weihrauch

Upper House, Melbourne, by JCB Architects Can you create a highrise from concrete and clouds? Melbourne firm JCB Architects say yes. Their 17-storey Upper House is home to 110 one- and two-bedroom apartments – which means a lot of people in a small space. The first 11 floors are formed of precast natural matte concrete topped by a communal space for the many residents. The communal 11th floor boasts a lounge, gym, dining space and generous green roofscape. And then the cloud appears. A white glass curtain wall, partially transparent, floats atop the shared space. Photographer: John Gollings

Upper House, Melbourne, by JCB Architects Admittedly it's a very cubic cloud, but it's a cute way of enabling an extra five storeys. A clever touch – the 'ravine' that runs vertically down the building features louvres that open and close automatically, triggered by data sent from the Australian Bureau of Meteorology. JCB Architects includes Australian Institute of Architects president Jon Clements as a director, and the firm is setting a fine example. Photographer: John Gollings

Dr Chau Chak Wing Building, Sydney, by Frank Gehry Frank Gehry loves to defy architectural norms; no one makes a building 'like' the Guggenheim Museum in Bilbao or the Walt Disney Concert Hall in Los Angeles. And this, his first building in Australia, stands as another unique creation. Its curved 11-storey brick facade – an homage to Sydney's sandstone heritage – folds like fabric, yet dramatises the corbelled texture of its 320,000 buff-hued bricks. On the western side, a dramatic glass curtain wall mirrors the building's contemporary surrounds. Photography: Andrew Worssam

Dr Chau Chak Wing Building, Sydney, by Frank Gehry Billionaire Australian-Chinese businessman Dr Chau Chak Wing's son Eric studied architecture at UTS, so the good doctor donated $20m to the project, along with an additional $5m for Australia-China scholarships. However, if it's something of a mouthful to say Dr Chau Chak Wing Building. If you go looking for it, ask for 'the paper bag' – any one of its 1600 academics and students will be glad to lead you to their wonderfully crumpled new building. Photography: Andrew Warssam

Thomas Street building, Sydney, by Durbach Block Jaggers Architects and BVN Inspired by nearby tree formations, the soft, fluid and undulating facade of the Thomas Street building by Durbach Block Jaggers Architects and BVN, dotted with some 700 recycled glass windows, is as friendly as it is distinctive. This sculptural building welcomes new students in, and once inside, they find that the fluidity continues – a sinewy spiral staircase leading them up and down the eight-storey building (five above, three below), encouraging flow within the building and contact with researchers. Photography: Darren Bradley

Thomas Street building, Sydney, by Durbach Block Jaggers Architects and BVN The building's bright-green 200-seat undergraduate 'super-lab' is a cheeky counterpoint to the traditional labs and research areas. UTS Thomas Street shares a campus with Frank Gehry's Dr Chau Chak Wing Building, so it has been most unfairly overlooked since opening in February 2015. Photography: Darren Bradley

Westmead Millennium Institute, Sydney, by BVN Bright minds tend to work best in bright spaces. With this in mind, established architectural practice BVN created a light-filled building that has allowed medical researchers to escape their gloomy labs housed across six sites of the Westmead Hospital campus and work together under one roof. Photographer: John Gollings

Westmead Millennium Institute, Sydney, by BVN The design for the Westmead Millennium Institute in Sydney is built around a 'bench to bedside' approach, encouraging the sharing of knowledge from research team to frontline medical staff. Photographer: John Gollings

Westmead Millennium Institute, Sydney, by BVN Light-filled with exterior glazing, a deep atrium and generous garden welcome the sun and provide an optimal space for the crucial research done by 380 medical researchers and their support staff. Photographer: John Gollings

keywords:australian architecture, letter from australia, frank gehry

关键词：澳大利亚建筑，澳大利亚来信，弗兰克盖里