Prada S/S 2012 menswear: AMO created a seating configuration comprising a 'field' of 600 cornflower blue foam blocks spread out on top of bright green artificial grass

普拉达和荷兰建筑师雷姆·库哈斯已经合作了十年，而最著名的合作伙伴可能是他们创新的建筑努力——想想汉城的变压器项目和纽约的普拉达震中——那些在内部轨道上的人。过去的八年左右，一直暴露在另一方的创意伙伴关系中。

库哈斯，他位于鹿特丹的设计工作室OMA和AMO智囊团，自2004年1月以来，一直在普拉达的T台秀上与这家意大利豪宅合作。

为了满足库哈斯严格的设计议程，米兰的普拉达·丰达齐奥(Prada Fondazione)设计了一个广阔的室内空间，这些展览一直

从2004年开始，该剧的合作开始于男装A/W郊游，其特点是一系列相对简单的AMO设计的壁纸覆盖了整个空间。然而，近几年来，库哈斯和他在AMO的团队以其特有的创新风格，将传统的跑道概念转向了头上。

普拉达在米兰的S/S 2010女装系列就是这样的一个例子。为了把观众分成两面，一堵抽象的墙被七扇有规则间隔的门点缀着，开口向观众提供了模特们短暂的一瞥，而模仿大夫人酒店内部空间的12个投影则飞溅在墙壁上，营造出一种迷人的、看上去像是玻璃的效果。

提高标准，2011年秋季男装和女装设置是一个两层钢“房子”，包括不同的房间-所有连接的走廊，充当猫步。

此后，2011年的男装和女装秀在高架舞台上举行，周围是体育场风格的座位。跑道表面被金属格栅覆盖，下面的霓虹灯照亮了跑道的表面。

S/S 2012男装秀是最新一次(也可以说是最有方向性的)合作，它让客人们看到的不是传统的T型台，而是一个由600个玉米花蓝色泡沫块组成的完美的“场地”，它们分别分布在1.5×1.5米的网格内，铺在鲜绿的人工草地上。

基于一个有纪律的空间系统，这种布局允许模特在精心编排的序列中穿过观众-完全消除了前排层次的元素。

然而，普拉达并不是唯一一个改变时装秀的品牌。要了解更多时装公司削减传统的T型台以拥抱壮观，请看我们2012年3月发行的“现在就出去”。

Prada S/S 2012 menswear

Prada S/S 2012 womenswear: Prada HQ was transformed into an asphalt road, complete with foam cars and subway grids lit from below

Prada S/S 2012 womenswear

Prada A/W 2011 menswear: The brand's Fall menswear setting was a two-storey steel 'house' comprising of various rooms - all connected by a corridor which acted as the catwalk

A/W 2011 womenswear: The two-storey steel 'house' - comfortable enough of course, for 700 guests - made a reappearance for the womenswear collections

A/W 2011 womenswear

S/S 2011: The menswear and womenswear shows both took place on an elevated stage, surrounding by stadium-style seating. The surface of the runway was covered in a metal grille, while neon lights concealed beneath illuminated the runway

A/W 2010: The theme of the menswear and womenswear shows was 'abstraction of cities'

S/S 2010 menswear: This show featured a text-covered, perforated wall, set between the audience and the catwalk

S/S 2010 menswear

S/S 2010 womenswear: The show was bisected by a wall featuring projections of scenes from grand hotels

S/S 2010 womenswear

S/S 2009 menswear: A series of undulating timber seating islands demarcated the show space. The modular seating units were also seen later in the year for the A/W 2009 menswear show

S/S 2009 menswear

S/S 2009 womenswear: Models moved to two vanishing points during show

S/S 2009 womenswear

A/W 2008 menswear: Models followed the curves in the digitalized, achromatic space

A/W 2008 menswear

S/S 2008 menswear: An understated underwater-style space, which used arrows on the ground to mark the way for the models

S/S 2008 menswear

S/S 2008 womenswear: A series of James Jean prints were designed to accompany a clover leaf-shaped catwalk

S/S 2008 womenswear

A/W 2007 menswear: A spiraling, fossil-like creation in orange

A/W 2007 menswear

A/W 2007 womenswear: An interplay of mirrors and lights was used by Koolhaas to create a sensation of suspended time

S/S 2007 menswear: AMO's projected screens, featuring images about the future of masculinity

S/S 2007 menswear: Stark Bauhaus-style decor

S/S 2007 womenswear

A/W 2006 womenswear: Bright, airy and open was the story of the day for the women's A/W 2006 show

A/W 2006 womenswear

A/W 2006 menswear: In contrast to the womenswear show space, Fall's menswear offering used a linear configuration

S/S 2006 womenswear: Mirrors, chromes, pearlescent lighting and brushed metal seating consoles illuminated the brand's Spring collection

S/S 2005 womenswear: A series of thirteen Fernando Di Leo films were projected onto the walls back in 2005

S/S 2005 menswear: Blocky illustrated prints adorned the walls for the Spring show

S/S 2004 menswear: The first collaboration between OMA and Prada back in 2004 featured a series of posters lining the runway in the Prada Fondazione

S/S 2004 womenswear

keywords:Prada, OMA, Rem Koolhaas, Fashion Week, Milan Fashion Week, Womenswear, Menswear, Prada Fondazione, Milan, Architects, Architecture design

关键词：普拉达、OMA、雷姆·库哈斯、时装周、米兰时装周、女装、男装、Prada Fondazione、米兰、建筑师、建筑设计