Art Studio America: Contemporary Artist Spaces Edited by Hossein Amirsadeghi and Maryam Eisler The creative process is endlessly fascinating, and this new photographic venture looks at the working lives and spaces of more than 100 contemporary artists, including key players from Chuck Close to Raymond Pettibon, Thomas Demand to Taryn Simon. The most striking variation is scale, ranging from the industrial-sized production houses of Jeff Koons right down to the many takes on the traditional garret. Published by Thames & Hudson, £65  

From the book: Rackstraw Downes moving virtual landscapes against the real, carrying his painting of a BOB ('battery on border'), the world's largest sodium-sulfur-battery storage system Art Studio America: Contemporary Artist Spaces Edited by Hossein Amirsadeghi and Maryam Eisler The creative process is endlessly fascinating, and this new photographic venture looks at the working lives and spaces of more than 100 contemporary artists, including key players from Chuck Close to Raymond Pettibon, Thomas Demand to Taryn Simon. The most striking variation is scale, ranging from the industrial-sized production houses of Jeff Koons right down to the many takes on the traditional garret. Published by Thames & Hudson, £65  

Francesco Clemente dons one of his painted masks, which he uses to explore the notion of duplicity, in the kitchen of his NoHo, New York, studio Art Studio America: Contemporary Artist Spaces Edited by Hossein Amirsadeghi and Maryam Eisler The creative process is endlessly fascinating, and this new photographic venture looks at the working lives and spaces of more than 100 contemporary artists, including key players from Chuck Close to Raymond Pettibon, Thomas Demand to Taryn Simon. The most striking variation is scale, ranging from the industrial-sized production houses of Jeff Koons right down to the many takes on the traditional garret. Published by Thames & Hudson, £65  

Hiroshi Sugimoto against the New York skyline post-Hurricane Sandy, the city still darkened under a partial blackout, one consequence of the devastating storm Art Studio America: Contemporary Artist Spaces Edited by Hossein Amirsadeghi and Maryam Eisler The creative process is endlessly fascinating, and this new photographic venture looks at the working lives and spaces of more than 100 contemporary artists, including key players from Chuck Close to Raymond Pettibon, Thomas Demand to Taryn Simon. The most striking variation is scale, ranging from the industrial-sized production houses of Jeff Koons right down to the many takes on the traditional garret. Published by Thames & Hudson, £65  

  This Is Mars Edited and designed by Xavier Barral NASA has always been generous with its rich bounty of space imagery; it's mostly available online for all to see. But to really soak up the science, strangeness and sheer delight to be found in space exploration, you have to see the images on the page. This Is Mars assembles 150 images of the red planet (albeit in black and white), taken by the Mars Reconnaissance Orbiter over the past few years. Put together by designer Xavier Barral, they create a compelling portrait of the geology of an alien world. Experts are on hand to reveal the science behind the forms. Published by Aperture, $100

From the book: the Ganges Chasma, where sediments containing sulfates are surrounded by plains of black sand and punctuated by dunes This Is Mars Edited and designed by Xavier Barral NASA has always been generous with its rich bounty of space imagery; it's mostly available online for all to see. But to really soak up the science, strangeness and sheer delight to be found in space exploration, you have to see the images on the page. This Is Mars assembles 150 images of the red planet (albeit in black and white), taken by the Mars Reconnaissance Orbiter over the past few years. Put together by designer Xavier Barral, they create a compelling portrait of the geology of an alien world. Experts are on hand to reveal the science behind the forms. Published by Aperture, $100

A swarm of hectometric impact craters from a meteor (left) and the floor of the Ismenius Lacus crater (right) This Is Mars Edited and designed by Xavier Barral NASA has always been generous with its rich bounty of space imagery; it's mostly available online for all to see. But to really soak up the science, strangeness and sheer delight to be found in space exploration, you have to see the images on the page. This Is Mars assembles 150 images of the red planet (albeit in black and white), taken by the Mars Reconnaissance Orbiter over the past few years. Put together by designer Xavier Barral, they create a compelling portrait of the geology of an alien world. Experts are on hand to reveal the science behind the forms. Published by Aperture, $100

A spread of a view that plunges into the canyon of Ius Chasma showing raised terrains on the left and and fine stratifications on the right This Is Mars Edited and designed by Xavier Barral NASA has always been generous with its rich bounty of space imagery; it's mostly available online for all to see. But to really soak up the science, strangeness and sheer delight to be found in space exploration, you have to see the images on the page. This Is Mars assembles 150 images of the red planet (albeit in black and white), taken by the Mars Reconnaissance Orbiter over the past few years. Put together by designer Xavier Barral, they create a compelling portrait of the geology of an alien world. Experts are on hand to reveal the science behind the forms. Published by Aperture, $100

  Eyemazing: The New Collectible Art Photography By Susan Zadeh With the contemporary art boom showing no sign of slowing, there have been a slew of publications aiming to inform and educate about negotiating the market. Penned by Susan Zadeh, the founder of Dutch photography magazine Eyemazing, the book combines a survey of established names (including Bettina Reims and Sally Mann) with recommendations for the future, all filtered through the experienced eyes of someone at the epicentre of a dynamic genre.  Published by Thames & Hudson, £65

From the book: 'Cloud' by Pablo Genovés, 2010. Genovés uses a collage style mixed with digital photography to offer a new perspective on an apocalyptic future Eyemazing: The New Collectible Art Photography By Susan Zadeh With the contemporary art boom showing no sign of slowing, there have been a slew of publications aiming to inform and educate about negotiating the market. Penned by Susan Zadeh, the founder of Dutch photography magazine Eyemazing, the book combines a survey of established names (including Bettina Reims and Sally Mann) with recommendations for the future, all filtered through the experienced eyes of someone at the epicentre of a dynamic genre.  Published by Thames & Hudson, £65   Eyemazing: The New Collectible Art Photography By Susan Zadeh With the contemporary art boom showing no sign of slowing, there have been a slew of publications aiming to inform and educate about negotiating the market. Penned by Susan Zadeh, the founder of Dutch photography magazine Eyemazing, the book combines a survey of established names (including Bettina Reims and Sally Mann) with recommendations for the future, all filtered through the experienced eyes of someone at the epicentre of a dynamic genre.  Published by Thames & Hudson, £65

'Grand Central Terminal' by Paul Himmel, 1947. The artist collaborated with his wife, Lillian Bassman, for over 70 years Eyemazing: The New Collectible Art Photography By Susan Zadeh With the contemporary art boom showing no sign of slowing, there have been a slew of publications aiming to inform and educate about negotiating the market. Penned by Susan Zadeh, the founder of Dutch photography magazine Eyemazing, the book combines a survey of established names (including Bettina Reims and Sally Mann) with recommendations for the future, all filtered through the experienced eyes of someone at the epicentre of a dynamic genre.  Published by Thames & Hudson, £65

'021' by Chris Earnshaw, who believes that all great photography is 'a luminous pool that reflects, if not explains, the evanescent beauty of life itself' Eyemazing: The New Collectible Art Photography By Susan Zadeh With the contemporary art boom showing no sign of slowing, there have been a slew of publications aiming to inform and educate about negotiating the market. Penned by Susan Zadeh, the founder of Dutch photography magazine Eyemazing, the book combines a survey of established names (including Bettina Reims and Sally Mann) with recommendations for the future, all filtered through the experienced eyes of someone at the epicentre of a dynamic genre.  Published by Thames & Hudson, £65

Inside The Rainbow: Russian Children's Literature 1920-35: Beautiful Books, Terrible Times Edited by Julian Rothenstein and Olga Budashevskaya While illustrated children's books are still a creatively rich publishing niche, back in the early days of Soviet Russia the genre combined two major facets of the emerging Soviet society: propaganda and aesthetic innovation. The Rainbow publishing house enjoyed a brief flowering in the 1920s, the period when the Russian avant garde was riding high on the first wave of optimism and poetry, literature and art could come together to create books with an unprecedented visual sophistication. It didn't last, of course, with many of the artists and authors showcased in this fascinating volume falling victims to the purges that followed.   Published by Redstone Press, £35

From the book: Illustrations by Alexander Deineka for A Sparkle, An Easy ABC, written by M Teryaeva, 1930 Inside The Rainbow: Russian Children's Literature 1920-35: Beautiful Books, Terrible Times Edited by Julian Rothenstein and Olga Budashevskaya While illustrated children's books are still a creatively rich publishing niche, back in the early days of Soviet Russia the genre combined two major facets of the emerging Soviet society: propaganda and aesthetic innovation. The Rainbow publishing house enjoyed a brief flowering in the 1920s, the period when the Russian avant garde was riding high on the first wave of optimism and poetry, literature and art could come together to create books with an unprecedented visual sophistication. It didn't last, of course, with many of the artists and authors showcased in this fascinating volume falling victims to the purges that followed.   Published by Redstone Press, £35

Photography and photomontage by M Makhalov for The Journey inside the Electric Lamp, written by N Bulatov and P Lopatin, 1937 Inside The Rainbow: Russian Children's Literature 1920-35: Beautiful Books, Terrible Times Edited by Julian Rothenstein and Olga Budashevskaya While illustrated children's books are still a creatively rich publishing niche, back in the early days of Soviet Russia the genre combined two major facets of the emerging Soviet society: propaganda and aesthetic innovation. The Rainbow publishing house enjoyed a brief flowering in the 1920s, the period when the Russian avant garde was riding high on the first wave of optimism and poetry, literature and art could come together to create books with an unprecedented visual sophistication. It didn't last, of course, with many of the artists and authors showcased in this fascinating volume falling victims to the purges that followed.   Published by Redstone Press, £35

Illustration for Where Am I? (an unpublished book of hidden images) by Tatiana Glebova, 1928 Inside The Rainbow: Russian Children's Literature 1920-35: Beautiful Books, Terrible Times Edited by Julian Rothenstein and Olga Budashevskaya While illustrated children's books are still a creatively rich publishing niche, back in the early days of Soviet Russia the genre combined two major facets of the emerging Soviet society: propaganda and aesthetic innovation. The Rainbow publishing house enjoyed a brief flowering in the 1920s, the period when the Russian avant garde was riding high on the first wave of optimism and poetry, literature and art could come together to create books with an unprecedented visual sophistication. It didn't last, of course, with many of the artists and authors showcased in this fascinating volume falling victims to the purges that followed.   Published by Redstone Press, £35

Common Pavilions: The National Pavilions in the Giardini of the Venice Biennale in Essays and Photographs By Diener & Diener Architects with Gabriele Basilico Visitors to the Venice Biennale will be familiar with the rich but highly focused cluster of modern architecture in the Giardini, where national pavilions stand as perfectly realised microcosms of their country's dominant architectural ideology. For the 2012 Biennale, Basel-based architects Diener & Diener collaborated with photographer Gabriele Basilico to produce an installation about the pavilions, and these images are now being published in book form, together with the original essays on the history and background of each individual structure. Published by Scheidegger & Spiess, €58

From the book: Austrian Pavilion, built in 1934, designed by Josef Hoffman and restored by Hans Hollen in 1984. Essay by Hermann Czech, photography by Gabriele Basilico Common Pavilions: The National Pavilions in the Giardini of the Venice Biennale in Essays and Photographs By Diener & Diener Architects with Gabriele Basilico Visitors to the Venice Biennale will be familiar with the rich but highly focused cluster of modern architecture in the Giardini, where national pavilions stand as perfectly realised microcosms of their country's dominant architectural ideology. For the 2012 Biennale, Basel-based architects Diener & Diener collaborated with photographer Gabriele Basilico to produce an installation about the pavilions, and these images are now being published in book form, together with the original essays on the history and background of each individual structure. Published by Scheidegger & Spiess, €58

Russian Pavilion, built in 1914, designed by Aleskey Shchusev. Essay by Alexander Brodsky, photography by Gabriele Basilico Common Pavilions: The National Pavilions in the Giardini of the Venice Biennale in Essays and Photographs By Diener & Diener Architects with Gabriele Basilico Visitors to the Venice Biennale will be familiar with the rich but highly focused cluster of modern architecture in the Giardini, where national pavilions stand as perfectly realised microcosms of their country's dominant architectural ideology. For the 2012 Biennale, Basel-based architects Diener & Diener collaborated with photographer Gabriele Basilico to produce an installation about the pavilions, and these images are now being published in book form, together with the original essays on the history and background of each individual structure. Published by Scheidegger & Spiess, €58

Book Pavilion, built in 1991 by James Stirling, Michael Wilford and Associates, with Tom Muirhead. Essay by Martin Steinmann, photography by Gabriele Basilico Common Pavilions: The National Pavilions in the Giardini of the Venice Biennale in Essays and Photographs By Diener & Diener Architects with Gabriele Basilico Visitors to the Venice Biennale will be familiar with the rich but highly focused cluster of modern architecture in the Giardini, where national pavilions stand as perfectly realised microcosms of their country's dominant architectural ideology. For the 2012 Biennale, Basel-based architects Diener & Diener collaborated with photographer Gabriele Basilico to produce an installation about the pavilions, and these images are now being published in book form, together with the original essays on the history and background of each individual structure. Published by Scheidegger & Spiess, €58

Pierdom By Simon Roberts The pier has become emblematic of decline. The fading fortunes of British seaside towns are often outlived by the mighty Victorian architecture and engineering that underpin these impressive structures. Simon Roberts has undertaken a photographic survey of the 58 British piers that survive (down from about twice that number in their heyday). Shot using a traditional 4x5 camera, Roberts's beautiful images capture the ethereal strangeness of these buildings, their detachment from reality and their fragility in the face of the elements. Published by Dewi Lewis Publishing, £35

From the book: Weston-Super-Mare Birnbeck, regarded as Britain's most threatened pier Pierdom By Simon Roberts The pier has become emblematic of decline. The fading fortunes of British seaside towns are often outlived by the mighty Victorian architecture and engineering that underpin these impressive structures. Simon Roberts has undertaken a photographic survey of the 58 British piers that survive (down from about twice that number in their heyday). Shot using a traditional 4x5 camera, Roberts's beautiful images capture the ethereal strangeness of these buildings, their detachment from reality and their fragility in the face of the elements. Published by Dewi Lewis Publishing, £35

Great Yarmouth Wellington, named after the famous duke, who died the year before its completion, in 1852 Pierdom By Simon Roberts The pier has become emblematic of decline. The fading fortunes of British seaside towns are often outlived by the mighty Victorian architecture and engineering that underpin these impressive structures. Simon Roberts has undertaken a photographic survey of the 58 British piers that survive (down from about twice that number in their heyday). Shot using a traditional 4x5 camera, Roberts's beautiful images capture the ethereal strangeness of these buildings, their detachment from reality and their fragility in the face of the elements. Published by Dewi Lewis Publishing, £35

Clevedon, described by Sir John Betjeman as 'delicate as a Japanese print in the mist, and like an insect in the sunlight' Pierdom By Simon Roberts The pier has become emblematic of decline. The fading fortunes of British seaside towns are often outlived by the mighty Victorian architecture and engineering that underpin these impressive structures. Simon Roberts has undertaken a photographic survey of the 58 British piers that survive (down from about twice that number in their heyday). Shot using a traditional 4x5 camera, Roberts's beautiful images capture the ethereal strangeness of these buildings, their detachment from reality and their fragility in the face of the elements. Published by Dewi Lewis Publishing, £35

Boscombe Pier once displayed the skeleton of a 65-foot whale that had washed up on a nearby beach in 1887 Pierdom By Simon Roberts The pier has become emblematic of decline. The fading fortunes of British seaside towns are often outlived by the mighty Victorian architecture and engineering that underpin these impressive structures. Simon Roberts has undertaken a photographic survey of the 58 British piers that survive (down from about twice that number in their heyday). Shot using a traditional 4x5 camera, Roberts's beautiful images capture the ethereal strangeness of these buildings, their detachment from reality and their fragility in the face of the elements. Published by Dewi Lewis Publishing, £35

Déserteurs By Stéphanie Solinas Part book, part artwork, Stéphanie Solinas's Déserteurs is an edition of 100 books, each containing 100 images and made unique with a Braille imprint. Incorporating a series of elegiac images on tombstones in Paris' Père Lachaise Cemetery, the oeuvre features faded grave portraits. Each book has a single, different geo-location embedded in Braille.  Published by RVB Books, €350

From the book: Stéphanie Solinas captures the remnants of photographic portratis that adorn the tombs in the Père Lachaise Cemetery in Paris Déserteurs By Stéphanie Solinas Part book, part artwork, Stéphanie Solinas's Déserteurs is an edition of 100 books, each containing 100 images and made unique with a Braille imprint. Incorporating a series of elegiac images on tombstones in Paris' Père Lachaise Cemetery, the oeuvre features faded grave portraits. Each book has a single, different geo-location embedded in Braille.  Published by RVB Books, €350

Tombstones and a mausoleum at the Père Lachaise Cemetery in Paris Déserteurs By Stéphanie Solinas Part book, part artwork, Stéphanie Solinas's Déserteurs is an edition of 100 books, each containing 100 images and made unique with a Braille imprint. Incorporating a series of elegiac images on tombstones in Paris' Père Lachaise Cemetery, the oeuvre features faded grave portraits. Each book has a single, different geo-location embedded in Braille.  Published by RVB Books, €350

Braille wording engraved on the photographs marks the geographical location of each tomb Déserteurs By Stéphanie Solinas Part book, part artwork, Stéphanie Solinas's Déserteurs is an edition of 100 books, each containing 100 images and made unique with a Braille imprint. Incorporating a series of elegiac images on tombstones in Paris' Père Lachaise Cemetery, the oeuvre features faded grave portraits. Each book has a single, different geo-location embedded in Braille.  Published by RVB Books, €350

Old Buildings New Forms: New Directions in Architectural Transformations By Françoise Astorg Bollack Hidden behind the shiny sight of bold new buildings lies a rather quieter architectural story, that of renovation, restoration and re-use. Old Buildings New Forms is a survey of the very best in rebuilding, with nearly 30 projects from around the world divided up into typologies, including 'parasites', 'wraps', 'insertions' and 'weavings'. The most charismatic of the latter is the cover star: Chipperfield's Neue Museum in Berlin, which remains a masterclass in how to combine sensitive restoration, modern insertions and a respect - almost fetish - for patina and history.  Published by The Monacelli Press, £40

From the book: The addition of Pratt Institute's Higgins Hall, which connects the north and south wing of the architecture school Old Buildings New Forms: New Directions in Architectural Transformations By Françoise Astorg Bollack Hidden behind the shiny sight of bold new buildings lies a rather quieter architectural story, that of renovation, restoration and re-use. Old Buildings New Forms is a survey of the very best in rebuilding, with nearly 30 projects from around the world divided up into typologies, including 'parasites', 'wraps', 'insertions' and 'weavings'. The most charismatic of the latter is the cover star: Chipperfield's Neue Museum in Berlin, which remains a masterclass in how to combine sensitive restoration, modern insertions and a respect - almost fetish - for patina and history.  Published by The Monacelli Press, £40

The entry hall of the Neue Museum in Berlin juxtaposes new and old materials Old Buildings New Forms: New Directions in Architectural Transformations By Françoise Astorg Bollack Hidden behind the shiny sight of bold new buildings lies a rather quieter architectural story, that of renovation, restoration and re-use. Old Buildings New Forms is a survey of the very best in rebuilding, with nearly 30 projects from around the world divided up into typologies, including 'parasites', 'wraps', 'insertions' and 'weavings'. The most charismatic of the latter is the cover star: Chipperfield's Neue Museum in Berlin, which remains a masterclass in how to combine sensitive restoration, modern insertions and a respect - almost fetish - for patina and history.  Published by The Monacelli Press, £40

Interior of the Royal Ballet School's Bridge of Aspirations, looking toward the opera house Old Buildings New Forms: New Directions in Architectural Transformations By Françoise Astorg Bollack Hidden behind the shiny sight of bold new buildings lies a rather quieter architectural story, that of renovation, restoration and re-use. Old Buildings New Forms is a survey of the very best in rebuilding, with nearly 30 projects from around the world divided up into typologies, including 'parasites', 'wraps', 'insertions' and 'weavings'. The most charismatic of the latter is the cover star: Chipperfield's Neue Museum in Berlin, which remains a masterclass in how to combine sensitive restoration, modern insertions and a respect - almost fetish - for patina and history.  Published by The Monacelli Press, £40

Entrance façade of the Wohlfahrt-Laymann House. The original building is a sandy beige while the new construction is grey Old Buildings New Forms: New Directions in Architectural Transformations By Françoise Astorg Bollack Hidden behind the shiny sight of bold new buildings lies a rather quieter architectural story, that of renovation, restoration and re-use. Old Buildings New Forms is a survey of the very best in rebuilding, with nearly 30 projects from around the world divided up into typologies, including 'parasites', 'wraps', 'insertions' and 'weavings'. The most charismatic of the latter is the cover star: Chipperfield's Neue Museum in Berlin, which remains a masterclass in how to combine sensitive restoration, modern insertions and a respect - almost fetish - for patina and history.  Published by The Monacelli Press, £40

The New English Landscape  By Ken Worpole, with photographs by Jason Orton This journey through the world we've created, almost inadvertently, through the rise of the post-industrial landscape, is scattered with pockets of Arcadian optimism or scoured by the demands of trade, technology and the military. Jason Orton's photographs provide an almost forensic insight into a shifting landscape, while Ken Worpole's texts take you inside the strange histories of these emotionally remote spaces. The highly engaging travelogue feels and reads like a journal from a forgotten land.  Published by Field Station, £15

From the book: Horsey Island, Essex, features flat arable countryside surrounded by estuaries The New English Landscape  By Ken Worpole, with photographs by Jason Orton This journey through the world we've created, almost inadvertently, through the rise of the post-industrial landscape, is scattered with pockets of Arcadian optimism or scoured by the demands of trade, technology and the military. Jason Orton's photographs provide an almost forensic insight into a shifting landscape, while Ken Worpole's texts take you inside the strange histories of these emotionally remote spaces. The highly engaging travelogue feels and reads like a journal from a forgotten land.  Published by Field Station, £15

Revealing a vast exposed area at low tide, the intertidal zone can extend out a mile or more The New English Landscape  By Ken Worpole, with photographs by Jason Orton This journey through the world we've created, almost inadvertently, through the rise of the post-industrial landscape, is scattered with pockets of Arcadian optimism or scoured by the demands of trade, technology and the military. Jason Orton's photographs provide an almost forensic insight into a shifting landscape, while Ken Worpole's texts take you inside the strange histories of these emotionally remote spaces. The highly engaging travelogue feels and reads like a journal from a forgotten land.  Published by Field Station, £15

Like a Rorschach test, Horsey Island, Essex, leaves many interpretations of the land The New English Landscape  By Ken Worpole, with photographs by Jason Orton This journey through the world we've created, almost inadvertently, through the rise of the post-industrial landscape, is scattered with pockets of Arcadian optimism or scoured by the demands of trade, technology and the military. Jason Orton's photographs provide an almost forensic insight into a shifting landscape, while Ken Worpole's texts take you inside the strange histories of these emotionally remote spaces. The highly engaging travelogue feels and reads like a journal from a forgotten land.  Published by Field Station, £15

Still Here By Lydia Goldblatt Photographer Lydia Goldblatt has assembled a collection of very personal, intimate images for her new book from Hatje Cantz. Still Here is a meditation on death and decay, its diptych-style presentation adding a spiritual luminosity to a series of photographs that have Goldblatt's own ageing parents at their heart. There's love and tenderness here, but also the unkindness of ageing and decay and the uncertainty of imminent death.    Published by Hatje Cantz Publishers, €28   

From the book: Goldblatt's works are often limited to a single detail. In this image she focuses on the sunlit form of a bee Still Here By Lydia Goldblatt Photographer Lydia Goldblatt has assembled a collection of very personal, intimate images for her new book from Hatje Cantz. Still Here is a meditation on death and decay, its diptych-style presentation adding a spiritual luminosity to a series of photographs that have Goldblatt's own ageing parents at their heart. There's love and tenderness here, but also the unkindness of ageing and decay and the uncertainty of imminent death.    Published by Hatje Cantz Publishers, €28  

This series explores the fragility of human life and the invisible bonds of love, particularly between the artist and her elderly father Still Here By Lydia Goldblatt Photographer Lydia Goldblatt has assembled a collection of very personal, intimate images for her new book from Hatje Cantz. Still Here is a meditation on death and decay, its diptych-style presentation adding a spiritual luminosity to a series of photographs that have Goldblatt's own ageing parents at their heart. There's love and tenderness here, but also the unkindness of ageing and decay and the uncertainty of imminent death.    Published by Hatje Cantz Publishers, €28  

Goldblatt bathes her intimate photographs in warm light, tracing the fleeting shadow of personal existence onto more enduring human narratives Still Here By Lydia Goldblatt Photographer Lydia Goldblatt has assembled a collection of very personal, intimate images for her new book from Hatje Cantz. Still Here is a meditation on death and decay, its diptych-style presentation adding a spiritual luminosity to a series of photographs that have Goldblatt's own ageing parents at their heart. There's love and tenderness here, but also the unkindness of ageing and decay and the uncertainty of imminent death.    Published by Hatje Cantz Publishers, €28  

A portrait of the artist's mother expresses admiration for her friendship, courage, acceptance and collaboration Still Here By Lydia Goldblatt Photographer Lydia Goldblatt has assembled a collection of very personal, intimate images for her new book from Hatje Cantz. Still Here is a meditation on death and decay, its diptych-style presentation adding a spiritual luminosity to a series of photographs that have Goldblatt's own ageing parents at their heart. There's love and tenderness here, but also the unkindness of ageing and decay and the uncertainty of imminent death.    Published by Hatje Cantz Publishers, €28  

keywords:common pavilions, the new english landscape, still here, pierdom, old buildings new forms, art studio america, this is mars, eyemazing, inside the rainbow, deserteurs

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