Renaud Vuaillat recently opened Twenty First Gallery, a collectible design hub located in an elegant 19th century West Chelsea townhouse 

出生于里斯本的法国设计师埃曼纽尔·巴泰特(Emmanuel BPT)将在Stateside领取会费，经销商雷诺·瓦伊拉(Renaud Vuaillat)将为他的最新作品举办一场个展。瓦伊拉特的新21世纪第一画廊位于19世纪西切尔西的一栋典雅的联排别墅，对他的展览“伊曼纽尔·巴马德”(Emmanuel Bable)来说，再

这个阳光普照的画廊，保留了一个优雅的大理石壁炉架，照亮了巴特尔的曲线设计-从限量版和独特的家具到照明-是如何在传统内部完全兼容的。

Vuaillat说：“竞争是艾曼纽尔的关键，因为他把手工吹制的穆拉诺玻璃和白色卡拉拉大理石的圆滑之处并列在一起，这是他的”奥斯莫西“系列的新方法和新颖之处。”当拜特，米兰的多姆斯学院和设计学院的客座教授埃因霍温，利用了几个世纪的意大利工艺，他转向电脑化技术，以完成这一独特的工作。

手工吹制的生物形态玻璃的形状在满是灰尘的茶杯和燃烧的黄色中被3D扫描，并通过数字化进入大理石控制台进行精确的开孔加工。Vuaillat说，所以这种独特的玻璃形式完全适合于控制台的顶部和侧面，没有任何接缝。

巴特特的“夸克”系列也在观望中。这些作品包括阿米巴样的温格木咖啡桌，以及另一张铸青铜的桌子，用薄薄的铜板焊接而成。

Its inaugural presentation is devoted to the French-born, Amsterdam-based designer Emmanuel Babled, whose work spans limited edition and unique furniture to lighting

‘Contradiction is key to Emmanuel as he juxtaposes the fragility of hand-blown Murano glass with the sleekness of white Carrara marble in new and novel ways for his "Osmosi" series,’ says Vuaillat. Pictured: 'Osmosi' console. Photography: Nicole Marnati

Babled’s 'Quark' series, which includes amoeba-like wenge wood coffee tables (pictured left) and a cast bronze table welded with thin sheets of gleaming copper (right), is also on display

Babled tapped into centuries-old Italian craftsmanship while also turning to computerised technology to complete the distinctive body of work. Pictured: a coffee table (pictured left) and a table lamp (right)

Hand-blown, biomorphic glass forms are fused seamlessly into marble bases. Pictured: a pair of vases from his 'Osmosi' series. Photography: Nicole Marnati

keywords:USA, Furniture design, New York design

关键词：美国家具设计纽约设计