Now in its fourth year, Romanian Design Week presented its most ambitious programme yet in Bucharest with a diverse line-up included creative talents from a host of fields including art, furniture, graphic design, fashion, architecture and even video games. Pictured: 'On the Edge' lamp, by Noi Doi, for Menu A/S

布加勒斯特可能似乎是一个设计节日的不可能的目的地，然而，由该研究所主办的一个想法的种子——追溯为“罗马尼亚创意产业生态系统”——自2012年以来一直在稳步增加。
现在，在第四个年头，罗马尼亚设计周正在寻求巩固其在全球设计公平电路上的地位。
它扩大了其在范围和规模上的方案，从最近一期的10天增加到17个。

这是一座废弃多年的前市场建筑，在整个城市举办的卫星活动的支持下，阿姆泽伊人皮亚·阿姆泽伊(Piaț)主持了这次活动。展览的主题是200多件作品，所有作品都是由150多名罗马尼亚设计师和建筑师在去年创作的。每个部门-从建筑到时尚到产品和平面设计-都由一个创意顾问和策展人委员会单独监督。

在中心展览上，少数年轻设计师展示了在Sonedel Mobile的更多知名品牌中不会出错的技巧。Cristian Branea展示了他年轻品牌Matitia的精巧的四件作品系列；最近UAIUM毕业生Ana Barbu的原型餐具在舱口上是一个圆滑的翻版；而弗拉德·奥西亚克重新构思的棋盘以其有趣的设计引起了我们的注意。展览的建筑部分是特别强大的-最近在布加勒斯特的一系列餐厅建设显示了当地建筑师的希望。

在这个城市的其他地方，点画廊与西班牙大使馆合作举办了一场50年代、60年代和70年代西班牙电影海报的展览。梅森五世受到一次可食用艺术品的展览的诱惑，概念商店Că结构şti Carusel-值得一看，因为它的本地设计产品和书籍-展示了罗马尼亚设计的椅子精选。未完成的布加勒斯特视觉艺术节也同时举办RDW，世界新闻图片2016年展览是它的旗舰活动。

除了本地产品外，RDW每年都会把目光投向远方，对客人国家的产品进行磨练。为这一版本，它提出了北欧重点，比较了丹麦、芬兰、冰岛、挪威和瑞典的著名城市项目。例如，芬兰的StudioPuisto公司为其梦想酒店项目提供了照明，而建筑师们则对Weitling在丹麦的超级自行车高速公路上的表现不屑一顾。最重要的是，它为当地设计师提供了一个难得的机会，使他们能够从其他欧洲国家获得对成功倡议的宝贵洞察。

罗马尼亚在政治、经济和创造性方面仍然处于动荡之中。美国人民院(People‘s House)是一座规模仅次于五角大楼的标志性行政大楼，它只是明确指出了创意产业面临的挑战，即便是在地方层面也是如此。据估计，30亿€-一个真正的国王在东欧的赎金-被用来资助该项目，整个街区被夷为平地，为它让路。

如今，除了少数几个艺术博物馆和罗马尼亚议会外，这里几乎空荡荡的，仅占其365，000平方米的巨大建筑面积的不到30%。它每年的取暖和维修费用高达数百万英镑。当地的设计社区努力争取资金，而虚荣心的建筑项目却在吞噬着几乎没有的东西。但肯定会有一种乐观的气氛，因为这个国家(和希腊一起)将在2021年主办欧洲文化之都，布加勒斯特也将是其中之一。只有时间才能证明罗马尼亚是否能够利用这一势头在国际设计阶段肯定其优点。

Multidisciplinary studio Hippos Design presented Fangai, an interactive light and sound installation. It comprises a series of pentagonal light fixtures with motion sensors – or 'mushrooms' – that are triggered by visitors moving throughout the space. The soundscape is designed as an augmented interpretation of how the mushrooms' gills would sound if it were possible to be perceived by the human ear

The architecture section of the festival's main exhibition cast the spotlight on Romanian developments built within the last year, including this Bucharest showroom by Manadelucru Design Office for Vienna-based steel supplier Alukönigstahl

The cantilevered design that shapes this single family dwelling by Exhibit Arhitectura in the city of Brașov resolves the client's desire for privacy from the main street, while still allowing plenty of natural light in

Romanian architect Marius Miclăuş accepted the challenge to design a mountainside refuge within a restricted budget. He opted to use CLT for the structure's exterior, for its resistance to the harsh light reflected by the surrounding snow, as well as to the strong winds

'Alecu' armchair, by Ciprian Andrei, founder of Romanian design studio Atelier Mustață

Cristian Branea founded Bucharest-based design and manufacturing company Materia less than two years ago. The fledgling brand offered a small but neatly formed collection comprising four pieces, including the 'Malthen' coffee table and 'Faug' stools...

...as well as two tables, 'Alkar' (pictured) and 'Orwadh'

'The Woodphones' is a joint venture between Prototip Studio and Acoustic Density who have created a stylish audio system using birch wood and copper

Young designer Ana Barbu's prototype 'C#' sideboard's inspiration is the hatch. She explains, 'The concept was meant to create a diverse range of geometric shapes, cubes, triangles and hexagons, but at the same be a graphical mash-up of hatches'

Radu Abraham originally designed his 'Geometry' clothing rack for fashion designer Oana Lupas' showroom. The starting point for this design was the three basic shapes in geometry – circle, square and triangle

Ana Alexe's androgynous spring/summer 2016 collection, entitled 'The Peacock Car', stood out amongst the local fashion designers exhibited at Romanian Design Week

Bucharest-based designer Vlad Osiac's project reimagines the traditional chess board, with a battlefield that begins to merge in the centre. The design for the chess piece also reflects the rules of movement for each piece

Elsewhere in the main exhibition, graphic designer/art director Paul Dersidan published a book of geometric hieroglyphs, entitled Exit

Type is Sexy, by graphic designer Bianca Dumitrascu

Bucharest photographer Florin Ghenade showed works from his 'Old Trees' series...

...while Ioana Cîrlig and Marin Raica caught our eye with their haunting photobook, Post-Industrial Stories, exploring Romania's 'mono-industrial communities'

Bucharest's hospitality and entertainment scene proved to be transforming slowly but surely, with a recent slew of design-led venues cropping up across the city. Pictured: Point Independent Theatre, by Lama Arhitectura

Lama Arhitectura also oversaw the refurbishment of Ted's Coffee Co four shops, including this outpost in University Square

Architect and restaurant entrepreuner Mihai Popsecu is both owner and designer of a host of sleek Bucharest hotspots. It's near-impossible to get a seat on any given night at his fusion restaurant/bar Uanderful

Social 1 by design duo PickTwo finds itself inside a classic Socialist-style building that was designed and completed during the communist regime of Nicolae Ceaușescu. The team looked for a modern design that also harked back to the site's historical roots

A view inside the surreally-name Rabbits In An Alcove exhibition space, designed by young architecture studio PandaPanda

'Urban Bicycle', by Andrei Sandu

keywords:Global Fair Guide 2016

关键词：2016年全球博览会指南