For Clerkenwell Design Week, Layer transformed Clerkenwell London's reading room into a delightful lounge of colour and comfort with the 'Cradle' collection, designed for Moroso by Benjamin Hubert

如何通过重新想象传统的产品类型来提高性能，这是图层的本杰明·休伯特(Benjamin Hubert)有点痴迷的地方。

以他的克莱肯威尔设计周展示为例。除了3D打印的“围棋”轮椅，图层还把伦敦的阅览室变成了一个令人愉快的色彩舒适的休息室，为莫洛索设计了“摇篮”系列。

最初在米兰的Sonedel Mobile上亮相，克莱肯威尔展览将三种设计结合在一起，使用高背和低背椅子来创造舒适的座位口袋，动态的房间分隔器完成了这一场景。

休伯特说：“我们对开发新材料以解决这层问题有热情，”休伯特解释说，“结合摩洛哥对纺织品的热爱，我们已经到达了一种新型的网格结构，通过较少的材料，提供了更好的舒适度，提供了丰富的新美学。”

利用与奥地利一家工厂合作开发的三维弹力纺织品，这种针织材料是高强度和低密度的；它可以灵活地支撑起居室和视觉活力。金属靠背摇篮的缓冲座，当然，所有的颜色都可以定制。

除了强有力的视觉表述之外，这些椅子还带来了一种令人非常满意的坐姿体验-优雅的传统软垫躺椅，带有吊床的独特舒适感，无需尴尬地爬进爬出。

The Clerkenwell showing brought the trio of designs together, using the high-back and low-back chairs to create comfortable seating pockets

Aside from the strong visual statement, the chairs also make a seriously satisfying seating experience

Dynamic room dividers completed the scene at Clerkenwell London

The collection is realised in a three-dimensional stretch textile created in collaboration with an Austrian factory

'With Moroso’s love of textiles, we have arrived at a new type of mesh construction that offers better comfort through less materials, delivering a rich new aesthetic,' explains Hubert

keywords:Textiles, Clerkenwell Design Week, Furniture design, Moroso

关键词：纺织品，克莱肯威尔设计周，家具设计，摩洛