wallpapers frieze art fair 2015 highlights
2015-10-16 05:58
The Frieze Art Fair is a glorious, awful spectacle and should be treated as such; largely random and nonsensical. But there's still plenty reason to visit; one of which is the work of the young American photographer and filmmaker Ryan Trecartin (Sprüth Magers went big with his new works). Pictured: Sprüth Magers, Frieze Art Fair 2015, installation view. Photography: Kris Emmerson
对弗里兹艺术博览会的彻底审查将会很好,很有活力。
公平是一个光荣的、可怕的景象,应该这样对待;
基本上是随机的和荒谬的。
不过,在这里,仅仅有三个理由加入唐荣。
一个明显的突出是总部设在伦敦的韩国艺术家多和苏,最近由维多利亚米罗在伦敦(尽管纽约的莱曼毛品也装成了一些部分)。他创造了霓虹灯般明亮的网状雕塑和装置,包括家用空间、固定装置和配件,大部分都是他自己的,建造起来的时候,所有的内部工作都可以看到:它们既是幽灵的存在,也是流行的物体,而且引人注目(iPhone大量出炉)。
斯普吕斯·马格斯(SPRüth Magers)凭借年轻的美国摄影师和电影制作人瑞安·特雷查顿(RyanTrecartin)的新作品大行其道-把他们展台的大部分外墙特雷卡廷在他的迷幻、剪裁、拼贴和黑暗的喜剧视频艺术上建立了声誉。这是一个相当大的声誉。“纽约客”(The New Yorker)的彼得·施杰尔达尔(Peter Schjeldahl)称特蕾蒂恩为“20世纪80年代以来最具影响力的艺术家这些静止物不知何故包含了视频作品中的大部分暗能量。
艺术展的公开展位模式不容易以视频艺术的方式展示,但位于曼哈顿下东区的西蒙·普雷斯顿画廊(Simon Preston)将展位变暗,以展示美国艺术家艾米·西格尔(Amie Siegel)的作品。在“建筑师”一书中,西格尔优雅地走过了纽约不同从业者的办公室;在现代派,她收集了一部由两位致力于现代艺术的游客组成的经典电影“超级8”档案,专心致志地巡演了20世纪60年代至80年代。
与此同时,“出处”是一部40分钟的电影,讲述了为北印度城市主人昌迪加尔(Chandigarh)制作的家具贸易,由勒·柯布西耶(Le Corbuser)策划,追踪从富有的欧洲收藏家贩运到这个悲伤、尘土飞扬的大都市的过程。她最近的一部电影是双重否定的,是对法国波西的勒柯布西耶别墅的优雅研究(完全是黑色的,在澳大利亚堪培拉建造)。西格尔已经拍摄了16毫米黑白,但这里显示了相反的,因此堪培拉副本是再生白色和反之亦然。被困在一个孤独角落的小盒子里,远离那些杂乱无章的大画廊,这是节目的亮点。
Trecartin has built a reputation on his psychedelic, cut-up, collaged and darkly comic video art. Pictured: Leash Fest – Pet Send, Don't Hit, by Ryan Trecartin, 2015. Photography: Timo Ohler. Courtesy Ryan Trecartin, Sprüth Magers, Regen Projects, Los Angeles and Andrea Rosen Gallery, New York
A definite standout was the London-based Korean artist Do Ho Suh, recently taken on by Victoria Miro in London. Pictured: Victoria Miro, Frieze Art Fair 2015, installation view. Photography: Robert Glowacki. Courtesy the Artists and Victoria Miro, London
He creates neon-bright mesh sculptures and installations of domestic space, fixtures and fittings, mostly his own and built to scale with all their inner workings on view: they are both ghostly presences and pop objects. Pictured left: Specimen Series: Basin, Apartment A, 348 West 22nd Street, New York, NY 10011, USA, 2015, by Do Ho Suh, 2015. Right: Boiler Room: London Studio, 2015, by Do Ho Suh, 2015. Courtesy the artist, Lehman Maupin, New York / Hong Kong and Victoria Miro, London
Simon Preston gallery, based in Manhattan’s Lower East Side, darkened its stand to show work by the artist American artist Amie Siegel. Pictured: Double Negative (installation view), by Amie Siegel, 2015. Courtesy the artist and Simon Preston Gallery, New York
Her latest film is Double Negative, an elegant study of Le Corbusier’s Villa Savoye in Poissy, France (and its exact copy, entirely in black, constructed in Canberra, Australia). Pictured: Double Negative, by Amie Siegel, 2015. Courtesy the artist and Simon Preston Gallery, New York
The Forever Loop, by Eddie Peake, 2015. Photography: Justin Piperger. Courtesy Barbican Art Gallery
Emissary Forks at Perfection, by Ian Cheng, 2015. Courtesy the artist and Pilar Corrias
'Jon Rafman', at Zabludowicz Collection, London (installation view), 2015. Photography: Thierry Bal
'Jumana Manna', at Chisenhale Gallery (installation view), 2015. Photography: Andy Keate. Courtesy the artist and CRG Gallery (New York)
Kara Walker's 'Go to Hell or Atlanta, Whichever Comes First', at Victoria Miro (installation view), 2015. Photography courtesy the artist and Victoria Miro, London
William Kentridge's 'More Sweetly Play The Dance', at Marian Goodman Gallery (installation view), 2015. Courtesy the artist and Marian Goodman Gallery
Oscar Murillo's 'Binary Function', at David Zwirner (installation shot), 2015. Courtesy the artist and David Zwirner
Rachel Rose at Frieze Projects, 2014. Photography: Plastiques Photography
Ryan Gander's 'Fieldwork', at Lisson Gallery (installation view), 2015. Photography: Jack Hems. Courtesy the artist and Lisson Gallery, London
Thea Djordjadze's 'Ma Sa i a ly e a se – de', at the South London Gallery (installation view), 2015. Photography: Andy Stagg. Courtesy Sprüth Magers
keywords:Le Corbusier, Frieze Art Fair, Sprüth Magers, Victoria Miro
关键词:乐·柯布西耶,弗里泽艺术博览会,斯普鲁斯·马格斯,维多利亚·米罗
对弗里泽艺术博览会的详尽回顾将是,嗯,令人筋疲力尽的。这是一种光荣的、可怕的景象,应该被当作这样对待;基本上是随机的,毫无意义的。不过,这里有三个加入的理由。一个明显的突出是…。
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