As part of a season called 'La Vie Magnifique', Ugo Rondinone, Ragnar Kjartansson and Mélanie Matranga take over Paris' Palais de Tokyo with a trio of shows that celebrate the beauty of the everyday. Pictured: 'I ♥ John Giorno', by Ugo Rondinone (installation view), Palais de Tokyo. Photography: André Morin

作为巴黎万国宫(Palais de东京)‘La Vie Magnifique’季的一部分，三位艺术家将接管这座博物馆，举办各种展览来庆祝每一天的美丽。

这些艺术家跨越三代-瑞士出生、纽约乌戈·罗迪诺内(Ugo Rondinone)、冰岛人拉格纳·卡亚尔松(RagnarKjart Ansson)和法国年轻从业者梅兰妮·马朗加(Mélanie Matranga)-在媒介和

这一季的主角是Rondinone，他选择了美国传奇诗人和表演艺术家John Giorno的作品回顾；20世纪60年代美国地下的主要人物和安迪·沃霍尔1963电影睡眠的主题。

作为其自身权利的作品，这部剧是由龙农作为“爱的宣言”来描述的。
他解释说：“我在八章中组织了这次展览，每个人都代表着乔治的多方面工作。”

受流行艺术对已发现的图像和广告口号的重视，总部位于纽约的乔诺一直致力于使诗歌更容易理解。1968年，他推出了“拨号诗”(Dial-A-诗)，这是一种用于听诗的电话服务，将在演出期间重新启动(拨打0800 106 106！)。此外，请留意塞林(Céline)的一系列视觉醒目的艺术品，这些作品将在FIAC期间在全城展出，以支持乔诺展览(Giorno)。

与Rondinone同楼的是冰岛表演艺术家Kjaransson，他在法国举办了自己的第一场个展，名叫“Seul celui qui conna t le re欲望”(seul celui qui conna t le欲望)。歌德的一首诗位于音乐与文学的交汇处，以歌德的名字命名，该剧探索了平庸与崇高之间的界限。

重点包括2015年的Bonjour，表演中描绘了一个男人和一个女人之间短暂的相遇，这将在表演过程中重复；
以及西方文化的场景，2015年，一张幻灯片放映的电影肖像，同时庆祝和谴责西方文化所推动的欲望。

与此同时，在博物馆的入口处，巴黎艺术家梅兰妮·马朗加(去年首次获得弗里泽艺术家奖的获奖者)安装了几个身临其境、刻意难以捉摸的环境。展览名为“反复[FANFU]”(意思是“一次又一次”)，标志着马朗加第一次重要的个展。考虑到与社会态度和习惯相关的元素的内在性，Matranga创造了两种大型的mezzanines，包括一间带有Isamu Noguchi灵感的纸灯、扩音器和覆盖几堵墙的照片和图画的吸烟室。

Headlining the season is Rondinone, who has chosen to curate a retrospective of the work of legendary American poet and performance artist John Giorno; a major figure in the 1960s American underground scene and the subject of Andy Warhol's 1963 film Sleep. Pictured:  'I ♥ John Giorno', by Ugo Rondinone (installation view), Palais de Tokyo. Photography: André Morin

Inspired by pop art's appropriation of found images and advertising slogans, New York-based Giorno has always strived to make poetry more accessible. The show, which becomes a work in its own right, is described as a 'declaration of love' by Rondinone. Pictured:  'I ♥ John Giorno', by Ugo Rondinone (installation view), Palais de Tokyo. Photography: André Morin

Occupying space on the same floor at the museum is Icelandic performance artist Ragnar Kjartansson, who presents his first solo show in France, 'Seul celui qui connaît le desire'. Pictured: Bonjour, by Ragnar Kjartansson, 2015. Photography: Aurélien Mole

Highlights include Bonjour, 2015, a live performance depicting a fleeting encounter between a man and a woman that will repeat during the show... Pictured: Bonjour, by Ragnar Kjartansson, 2015. Photography: Aurélien Mole

...and Scenes from Western Culture, 2015, a slideshow of cinematic portraits that simultaneously celebrate and deplore the desires fuelled by Western culture. Pictured: World Light – The Life and Death of an Artist, by Ragnar Kjartansson, 2015

Parisian artist Mélanie Matranga (the winner of last year's inaugural Frieze Artist Award) has installed several immersive and intentionally elusive environments. Pictured: '反复 [FANFU]', by Mélanie Matranga (installation view), Palais de Tokyo. Photography: Aurélien Mole

Titled '反复 [FANFU]' (meaning 'again and again' in Mandarin), the exhibition marks Matranga's first significant solo show. Pictured: '反复 [FANFU]', by Mélanie Matranga (installation view), Palais de Tokyo. Photography: Aurélien Mole

Reflecting upon interiority with elements linked to social attitudes and habits, Matranga has created two large mezzanines, including a smoking room with Isamu Noguchi-inspired paper lights, loudspeakers and photographic prints and drawings that cover several walls. Pictured: '反复 [FANFU]', by Mélanie Matranga (installation view), Palais de Tokyo. Photography: Aurélien Mole

Céline are supporting Rondinone's 'I ♥ John Giorno' exhibition with a series of visually striking posters that will be displayed around the city in kiosks during FIAC