The Broad: The newly opened Broad is now the city's largest free contemporary art spot. Photography: Iwan Baan, courtesy of The Broad and Diller Scofidio + Renfro

洛杉矶无疑正经历着文化聚光灯下的一个时刻。但除了目前这股创意热潮的“海佩野兽”之外，还有一幕正在西海岸上演：洛杉矶目前约有400个现代和当代艺术空间，自2013年以来，估计有50个开放空间。

这种突然涌入的新画廊-高度集中地迁移到上流社会的市中心艺术区-包括新的企业以及在这里设立第二个空间的老字号。豪泽

最近，纽约最大的免费当代艺术景点“博德博物馆”(Bland Museum)于今年9月开业，这证实了市中心街区作为安吉利诺斯和游客永久文化目的地的地位。洛杉矶有什么特别之处？

一个吸引人的方面是洛杉矶的空间，允许画廊和艺术家以他们在其他城市无法做到的方式成长和扩展。生活方式的质量当然是西方魅力之都的一个因素，随着如此多的创造力进入洛杉矶，新的空间正被惊人地重新利用，以最大限度地利用全年的阳光，屋顶和花园展示户外工作，并利用温暖的天气。这一建筑师主导的转变增强了在洛杉矶观看艺术的独特体验，并进一步将城市的自主艺术与其历史性的、开拓性的设计场景结合起来。

在这里，我们挑选了一些我们最喜欢的新建筑风格的艺术空间：走进去，你会感觉到这就是艺术应该被看到的方式-有足够的空间呼吸，与它的环境共生。

Designed by Diller Scofidio + Renfro, the gallery features a perforated white exterior skin, which is contrasted by its more curvaceous lobby. Photography: Hufton + Crow, courtesy of The Broad and Diller Scofidio + Renfro

Large, column free gallery spaces at the top make this gallery space a joy to visit, as well as a perfect place to display art. Photography: Bruce Damonte, courtesy of The Broad and Diller Scofidio + Renfro

David Kordansky Gallery: Kulapat Yansatrast at wHY architecture is one of the go-to firms for cultural spaces on the West Coast, working closely with curators in order to understand and address programming concerns. Past collaborators in LA are on the institutional level, and include CalArts, the Museum of Contemporary Art and the Los Angeles Country Museum of Art. Emerging gallery David Kordansky is their latest offering. Photography: Fredrik Nilsen, courtesy of David Kordansky Gallery, Los Angeles, CA

For this gallery, the approach was a little different. They renovated a space that had been used as a martial arts centre, a specialty food store and a car repair workshop in the past. Photography: Fredrik Nilsen, courtesy of David Kordansky Gallery, Los Angeles, CA

Completed in 2014, the original bow-truss wood ceilings arch over two separate galleries, a mezzanine library, lounge, and entry court and garden - all enclosed by an exterior wall, designed to give the feel of an 'inner sanctum'. Photography: Fredrik Nilsen, courtesy of David Kordansky Gallery, Los Angeles, CA

Regen Project: Regen Projects' current building, clad in distinctive white plaster, protrudes proudly onto Santa Monica Boulevard in the centre of Hollywood's art hotspot. Photography: Christopher Norman, courtesy Regen Projects, Los Angeles

The creation of LA-based architect Michael Maltzan, the sweeping 4,000 square foot space was designed to be highly flexible, to be adapted to the needs of Regen's diverse roster of artists from Raymond Pettibon to Matthew Barney, as well as incorporating the galleries offices. Pictured here, Still Life by Doug Aitken (2014). Photography: Brian Forrest, courtesy Regen Projects, Los Angeles

An equally spacious rooftop sculpture garden offers outdoor exhibition space, and of course, makes the most of the Southern Californian weather. Pictured here, Water Castings: Fourteen Pieces at Regen Projects by Matthew Barney (2015). Photography: Josh White, courtesy Regen Projects, Los Angeles

Gallerists Liv Barret and Nelson Harmon came to Los Angeles from Melbourne and Vermont respectively to set up their gallery, opened in summer last year. In their search for a spot in the burgeoning downtown area, they opted for a 4,000 sq ft space in an 80-year-old building on West Pico Boulevard, close to the Staples Centre. Pictured here, Composite Arcade installation by Cayetano Ferrer (2014)

Nelson says they chose the space for its light, and set about transforming the interior themselves (with the aid of takeout pizza) building walls over ragged brick and plaster, refurbishing the floors and replacing the exterior windows, keeping a minimal aesthetic in mind, the perfect tabula rasa for their roster to work on dimensional exhibitions across two floors. It never looks the same twice. Pictured here, 'Slow Learners' installation by Helen Johnson (2015)

LA-based, Paris-born Francois Perrin assisted fellow Frenchman Francois Ghebaly on reimagining the interior of a 12,000 ft. warehouse space, within an industrial complex next to the 10 highway. The space was so huge that Ghebaly invited four other tenants to share it - a mix of commercial and non-profits - that makes the site a genuinely diverse and autonomous creative ecosystem. Pictured here, Saints and Sinners installation by Mike Kuchar (2015)

Perrin specializes in exhibition design with a concern for site-specificity and environmental context and helped Ghebaly to work with the space and structure its divisions for the various needs for all its tenants' projects (an artist book publisher, residency programme, and media resource centre also reside here). Pictured here, Old Sailors Never Die by Joel Kvack (2014)

Museum as Retail Space: MaRS is a new addition to the gallery scene, located in a still relatively unchartered terrain, under Los Angeles' largest bridge on the banks of the East River. Like many galleries in LA, you need a car to reach it, and you won't necessarily find other cultural spots nearby - but also like many spaces, you'll have plenty to see in one place. Photography: Vijat Mohindra

Under the guidance of gallery director and owner Robert Zin Stark, the space was remodeled into a mitochondrial layout, comprising five separate spaces, and an ample succulent garden offset by a cinder block exterior. Photography: Vijat Mohindra

The redesign reveals another fascinating facet of local history: the previous tenant at MaRS ran it as an illegal marijuana nursery, which was exposed when a fire in 2012 destroyed everything but the brick walls. The fire-scarred walls were left visible with the renovations. Photography: Vijat Mohindra

MAMA: One of downtown's newest gallery spots, MAMA has just celebrated its first anniversary. The building dates back to 1908 and was constructed around the walls of a former residential house and its vineyards. When gallery director and partner Eli Consilvio designed the layout of the interior gallery space, his aim was to keep as many of the original brick archways and features as possible. Photography: Sean Deckert

For their inaugural show, Erection, in 2014, MAMA invited artists to respond to this interior - which since then has been transformed and evolved for each presentation. The gallery bookstore now stands in the shell of the old house, with its windows out onto the main gallery space. Photography: Sean Deckert

Until 2013, Night Gallery - founded by artist Davida Nemeroff and dealer Mieke Marple - inhabited a space in an insalubrious Lincoln Heights strip mall; its walls were painted black, its opening hours strictly nocturnal, and its parties were legendary. You wouldn't know it walking into its current lofty location, designed by Peter Zellner (principal of Zellner Naecker Architects), who specialise in public and private gallery spaces in Los Angeles, San Francisco and New York. Photography: Dawn Blackman, courtesy of Night Gallery

The clean white walls (separating the space into two huge open areas) and soaring ceilings reflect the growing needs of a serious commercial gallery. The owners are now widely recognised as a pair of the city's premier contemporary dealers, but still favour artists who work on the edgier side of high art - and the parties now happen in the courtyard space out front. Photography: Dawn Blackman, courtesy of Night Gallery

Susanne Vielmetter Los Angeles Projects in Culver City: Zellner is also the name behind the architectural plans for art dealer Susanne Vielmetter Los Angeles Projects in Culver City, which opened to the public in 2010. Photography: Robert Wedemeyer

Susanne Vielmetter, who moved to Los Angeles from Berlin fifteen years ago, showcases here her roster of mid and established level artists from Europe and the region. Photography: Robert Wedemeyer

With a budget of almost half a million, Zellner and his team created almost 8,000 sq ft for art inside the former industrial warehouse, divided into four exhibition spaces - currently housing an exhibition by William Pope.L. Zellner has also led designs for art venues such as LAXART and more recently, Matthew Marks Gallery, in Los Angeles. Photography: Robert Wedemeyer

Various Small Fires: VSF originally opened up on the main strip at Venice Beach in 2012, but in tandem with the migration East for many galleries, moved to Hollywood last year. Their current space is an example of current LA trends in the scene, where commercial galleries frequently inhabit spaces as grand as museums, allowing them to flexibility in programming screenings, performances, installations and large-scale sculpture, all of which are interests at VSF

The North Highland Avenue venue was designed in collaboration with Johnston MarkLee Architects - the firm behind the designs for the UCLA Graduate Studios, the new MCA Chicago and Harvard Architecture School

The innovative design features include an outdoor sound corridor, architecturally fitted with hidden speakers, a 'roofless' outdoor gallery, as well as 3,000 sq ft of interior project space with light streaming in via skylights and extensive sliding doors onto the garden

Kayne Griffin Corcoran: KGC is a complete fantasy in terms of gallery design and reflects the ambition and approach of its creators. David Lynch and James Turrell are among the major contemporary artists who to have shown at Kayne Griffin Corcoran - one of Los Angeles' most impressively designed spaces

Turrell is in fact one of the gallery's collaborators - alongside Maggie Kayne, Bill Griffin, and James Corcoran - and was the subject of the space's inaugural show at 2013

The four designed the fantasy space - Turrell was responsible for the lighting and landscaping the outdoor space that includes a gorgeous bougainvillea-clad courtyard

Currently on show is an installation of work by James Turrell (2015). Photography: Robert Wedemeyer, courtesy Kayne Griffin Corcoran, Los Angeles 

Ashes/Ashes​: The historic American Cement Company's building on Wilshire Boulevard next to MacArthur Park is a local architectural icon and proof that concrete can be beautiful. Designed by Daniel, Mann, Johnson and Mendenhall (DMJM) the building was originally designed to house the Company's HQ, and was completed in 1964. Photography: ImageLocations.com, courtesy Ashes/Ashes

The striking 13-storey building is now home to the offices of some of the cities top architectural firms, as well as new contemporary gallery Ashes/Ashes, on the ground floor. Photography: Adrian Scott Fine/L.A. Conservancy, courtesy Ashes/Ashes

The gallery has plans for a new interior in 2016 to showcase their avant-garde and inventive curatorial programme. Photography: Adrian Scott Fine/L.A. Conservancy, courtesy Ashes/Ashes

keywords:Galleries, Los Angeles, Diller Scofidio + Renfro, Los Angeles architecture, American architecture, Museums

关键词：画廊，洛杉矶，迪勒斯科菲迪奥，洛杉矶建筑，美国建筑，博物馆