Fondazione Prada presents an anthological exhibition devoted to the meticulous speed-freak minimalism of Italian artist Gianni Piacentino. Photography: Delfino Sisto Legnani. Courtesy: Fondazione Prada

这似乎是完全合宜的，坦率地说，非凡的新丰达启动其策展人计划，以一流的步伐与细致的速度极简主义意大利艺术家詹尼皮亚昆蒂诺。由Germano Celant策划的这场展览，从1965年到今天，包含了100件作品，涵盖了皮亚昆蒂诺的职业生涯，占据了该建筑群两个层次的领奖台画廊。

都灵的皮亚昆蒂诺，现年72岁，是艺术贫穷运动发展的关键人物，但很快就走上了他自己的道路。而且很快。皮亚昆蒂诺痴迷于老式摩托车和飞机，他的许多作品都被压缩了对这些梦幻机器的抽象；一些机翼或无引擎的框架和底盘，但总是精确的设计和完美的完成(皮亚琴蒂诺修复和还原老式自行车的乐趣，并在一段时间内，一个专业的自行车车手)。皮亚昆蒂诺对从网站到印刷目录的所有东西都很精通，甚至在今年早些时候为墙纸*制作了限量版封面(W*196)。

皮亚昆蒂诺的作品是一种流行影响极简主义，高速度和油漆烟雾和沉重，然后微妙的工艺车间。正如凯兰特所说，皮亚昆蒂诺的艺术在艺术与设计、工艺与制造、有用与无用、奇异与严肃之间呼啸而过。他出生于一种“背景文化，拥有丰富的应用科学、工匠专业知识、机械精密和工程工艺”。室。只是不完全，不只是。工作中有一种明显的哀思，缓慢而虔诚。对凯兰特来说，皮亚昆蒂诺的职业生涯代表着“对艺术创作的不完美、瞬间和随机性的绝对逃避，以便进入一个完美、计算和集中的宇宙，能够在崇高和绝对的水平上与汽车或飞行器竞争。”

Curated by Germano Celant, the exhibition takes over two levels of the complex’s Podium galleries and includes 100 pieces, spanning Piacentino’s career from 1965 to present day. Photography: Delfino Sisto Legnani. Courtesy: Fondazione Prada

From top to bottom: Pearl wall wing with signed nickel plate, 1971; Amaranth and pearl decorated and initialed rectangular bar, 1971; Turquoise-gray pearl proppeller-wing with initialed nickel plate I, 1971; Race (F.H.W.) 3, 1991. Photography: Delfino Sisto Legnani. Courtesy: Fondazione Prada

Piacentino’s work is a kind of Pop influenced minimalism, high on speed and paint fumes and the heavy then delicate artisanship of the body shop. Photography: Delfino Sisto Legnani. Courtesy: Fondazione Prada

Pictured: Build Seaplane (MC72)_4, 2010. Photography courtesy the artist and Michael Werner Gallery 

As Celant says, Piacentino’s art roars out of somewhere ‘between art and design, craftsmanship and manufacturing, the useful and the useless, singularity and seriality.’ Photography: Delfino Sisto Legnani. Courtesy: Fondazione Prada

Pictured left: Light-blue silver reading-desk object, 1967-1968. Right: Light-blue gray looking-glass object, 1967-1868. Courtesy the artist and Michael Werner Gallery 

There is something plainly elegiac in the work, slow and reverent. Photography: Delfino Sisto Legnani. Courtesy: Fondazione Prada

Pictured: Gray, purple-gray, silver triangle vehicle, 1971-1972. Courtesy the artist and Michael Werner Gallery 

Pictured center: Matt metal brown-purple big table sculpture, 1967–68. Right: Metalloid orange-ochre reading-desk object, 1967–68. Photography: Delfino Sisto Legnani. Courtesy: Fondazione Prada

For Celant, Piacentino’s career represents ‘an absolute escape from the imperfection, instantaneity and randomness of making art, in order to access a universe of perfection, calculation and concentration that can compete with a motor or flight vehicle, on both sublime and absolute levels.’ Photography: Delfino Sisto Legnani. Courtesy: Fondazione Prada

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