on the grid a new show in athens unites the work of three greek artists who work with grids
2015-12-04 13:24
A new show – 'Plexus' – at Athens' House of Cyprus gathers the works of three Greek artists united by their exploration of the grid structure. Created between 1969 and 1996, Bia Davou's ink on canvas paintings are the oldest pieces on show. Pictured: Serial Structures 2, by Bia Davou, 1979. Courtesy Zafos Xagoraris Collection
目前正在雅典塞浦路斯大使馆展厅展出的一场名为“普列克斯”的新展览汇集了三位希腊艺术家的作品,他们跨越三代,但通过对网格结构的探索而团结在一起。
此次展览的策展人蒂娜·潘迪(Tina Pandi)和斯塔马蒂·斯齐亚基斯(Stina Schizakis)解释道,“在比亚·达乌(Bia Davou)、彼得罗斯·莫里斯(Petros Moris)和埃菲·斯皮鲁(Efi Spyrou)的艺术实践中,格栅成为研究他们时代数学和技术语言的工具,也是对实物与数字物体、材料与无形生产、体力劳动和智力劳动之间关系的不断批判的工具。”
从1969年到1996年,信息技术还处于起步阶段,比亚·达乌的羊毛和画布上的墨水是展出中最古老的作品。这位传奇的希腊艺术家的复杂作品,包括“Plegmata”系列(1967-1970年)、“电路”(1973-1975)和“串行结构”(1978-1996年)的作品,探讨了数学和计算机科学的语言-特别是二进制系统和斐波纳契序列。
把这个主题带到当今这个数字技术渗透到我们生活各个方面的时代,Efi Spyrou用荧光灯和明亮的黄色、重型吊带一起制作了九个平面抽象的墙壁悬挂物,名为Metformoses,2014年;年轻艺术家Petros Moris的专栏(时间、大脑、变换、骨架)描绘了石膏中记录的古代马赛克的线框,以及由钢筋加固网制成的一系列系统排列的网箱结构。
Davou's works explore the language of mathematics and computer science – in particular the binary system and the Fibonacci sequence, as seen in Serial Structures. Pictured: Serial Structures 2 – Odyssey, by Bia Davou, 1981. Courtesy Epi Protonotariou Collection
Efi Spyrou weaves spent fluorescent lamps together with bright yellow, heavy duty straps to create a series of nine graphic, abstract wall hangings called Metamorphoses, 2014 (pictured). Courtesy Polyeco Contemporary Art Initiative
The exhibition's curators, Tina Pandi and Stamatis Schizakis, explain, 'In the artistic practices of Bia Davou, Petros Moris and Efi Spyrou, the grid... becomes the vehicle for investigating the language of mathematics and technology of their era.' Pictured: Metamorphoses, by Efi Spyrou, 2014. Courtesy Polyeco Contemporary Art Initiative
Efi Spyrou has previously explored woven structures in her 2011 series, Tramp in, which is also on show at 'Plexus'. Pictured: Tramp In, by Efi Spyrou, 2011. Courtesy the artist
Young artist Petros Moris' Columns (Time, Brain, Transformation, Skeleton), 2015 depicts wireframes of ancient mosaics recorded in plaster. Pictured: construction process of Leda, Daphne, Daphne, Medusa, Leda, by Petros Moris, 2015. Courtesy the artist
keywords:Residential architecture
在Athan‘s House of塞浦路斯举办的一场新演出,将三位希腊艺术家的作品结合在一起,他们在作品中使用网格
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