'Made in London: Jewellery Now', at the Museum of London, pulls together works from seven up-and-coming London jewellery designers, and places their work in a context unique to each

21世纪珠宝商面临的挑战是创造出仍能让人感到惊奇或惊讶的作品。“伦敦制造：现在的珠宝”，在伦敦博物馆展出了新一代设计师征服当代珠宝。这次展览与“Cheapside Hoard：London‘s Lost Juels”一起举办，展出了伊丽莎白(Elizabeth)和雅各布(Jacobean)的珠宝和宝石。展览证实，如今的珠宝可以像400年前一样迷人而强大。

由博物馆的高级时装馆长、Beatrice Behlen和时尚编辑阿加塔·贝尔森合作，展览将七个设计师的作品放在工作空间的背景下，展示了每个设计师如何与他或她的环境互动。Belhen说：“我们不仅试图展示珠宝，而且还展示珠宝商的世界，将他们的设计置于上下文中，展示它们是如何工作的以及激发它们的灵感。”

设计师——乔丹·阿尔奇尔、伊莫根·贝尔菲尔德、雷切尔·波士顿、杜菲、胡姆·埃尔·奥德、诺米·克莱因和弗朗斯沃斯沃斯-琼斯——来证明当代珠宝不仅仅是美学。
从幽默到Macabre，他们的设计分享了对自然和转变的好奇心。

简陋的展览空间被整齐地塞进一个黑暗的角落里，让主人说话。点亮的玻璃镜以独特的方式展示每个参展商的珠宝。一堵墙上挂着亨利·海洛克爵士在特拉法加广场被玷污的雕像的照片。其中一种鸽子粪便是由弗朗西斯·瓦兹沃斯-琼斯的天堂送来的，胸针是用蓝宝石和电气石制成的。房间的中心是一个传统的水晶展示柜，里面装满了伊莫根·贝尔菲尔德的有机珠宝。

胡萨姆·埃尔·奥德(HusamelOdeh)通过搭建办公桌和展示他的工具，让我们一瞥他的工作室。我很容易在博物馆里感到无聊，所以我想创造一个真正吸引人们的展览。每次你一看，就会发现一些新的东西。看了看显示器，我想坐下来做些工作，因为这实际上是我的一部分。

澳大利亚出生的珠宝商乔丹·艾斯基尔与策展人合作，从三个不同的系列中创作了三部具有相应电影序列的小插曲。他说：“我工作的目的是从有历史的文物中创作作品，让我感受到这座历史博物馆的感觉，所以我很荣幸能把它们放在伦敦博物馆的背景下。”

Husam el Odeh has replicated part of his studio to provide insight into how he works

El Odeh's Cracked Watch Cuff exemplifies the designer's ability to transform everyday objects into works of art

On an image of Sir Henry Hayelock's statue in Trafalgar Square, Frances Wadworth-Jones' Heaven Sent sapphire-and-tourmaline brooch resembles a drop of good luck. Beside each display is a quote from the jeweller, expressing what drives him or her to create

Noemi Klein replicates nature in her jewellery. This statement ring incorporates crab legs that extend out, forming a fountain shape

Klein's playful approach to animal anatomy is evident in her taxidermy bird with cast rings for feet

Imogen Belfield's jewellery is derived from organic forms like crystals and bubbles. Interspersed in her display are small sketches that show how the designer fosters her ideas

Belfield's square ring seems to have emerged from the ground. The free shapes of her jewellery give her designs a natural aesthetic

Jordan Askill creates portable 'mini-sculpture' jewellery. Each piece displayed at 'Made in London' was featured alongside a corresponding film, directed by his brothers Daniel and Lorin

The Battle Cat Cuff by Askill repeats a 3D shape, creating an unrecognisable yet wearable creation. He uses the latest 3D printing technology to cement his role as a 21st century jeweller

Before the exhibition, Duffy visted his family home to collect objects from his childhood that he believes shaped how he designs today

His cast work is bold, graphic and connected to the nature that surrounds him

A study in human anatomy, Rachel Boston's ear cuff resembles a human spine

Boston installs her pieces with the utmost precision. Pieces from her Beetle collection sit within a wooded diorama

keywords:Made in London, jewellery now, london, design, jeweller, Museum of London

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