Erwin Wurm's new exhibition 'Lost' at Galerie Thaddaeus Ropac takes the habitual and eerily turns it on its head. Pictured: Triple Seat (Fauteuil White), 2015

ErwinWurm也许是当代艺术的主要玩家中最好玩的(如果你的声音听起来像饥饿的毛毛虫最好的伴侣，那你怎么可能不是呢？)他制造过肥胖的汽车、棉花糖屋和弯曲的(比平常更多的)露营车。

在他在加莱丽·塔德修斯·罗帕克的马来太空的新节目中，沃姆再次让熟悉的人感到陌生，尽管这里的效果比挠痒痒更令人不安。“失落”是一门关于物质性和家庭对象的研究。的确，这是一个世纪中期梦想的家，变成了噩梦。

所有的物体-一个圆滑的长链子，优雅的餐具柜，或慷慨的扶手椅-最初都是用粘土做模型的，有时是过大的，后来沃姆走了过去，给它们盖上了邮票，压扁了，或者变形了。这些变形用青铜或聚酯铸成，并涂上“错误”的颜色。其作用是三层位错。

一台漂亮的冰箱变成了一块巨大的黄油，贴着标签的黄油(冰箱)。一种黑色铜制餐具柜，马的下垂是可怕的，它的侧翼上有致命的洞。这个节目提醒我们，一个物体在很多方面都可能是错误的，我们对它们的期望比我们想象的要复杂得多。当形状、颜色和材料都拒绝遵守规则时，我们确实会感到非常迷茫。

Ordinary household objects like sofas, light stands, fridges and even hand-soap dispensers are taken and misshaped in some way, as if moulded by very large hands

Each piece was conventionally created in clay, before Wurm proceeded to deform and destroy them. Pictured: Afterglow (Lamp), 2015

The exhibition's title, 'Lost' seems very apt indeed – when our expectations of shape, colour and material are disrupted, it can be scary how quickly sensory disorientation ensues. Pictured: Horse (Sideboard), 2015

The clean lines and highly-finished edges are juxtaposed by large, inconsistent holes, as seen here in the darkly comedic footprints of Snow (Chaise Longue), 2015

Each piece has a witty, tactile title, adding to the jarring effect, as seen in Butter (Fridge), 2015 (pictured left), and Body (Body Lotion Dispenser), 2015 (right)

keywords:Sculpture, Galerie Thaddaeus Ropac

关键词：雕塑，加莱丽·塔德戴乌斯·罗帕克