An exhibition of contemporary works by futurist-inspired Italian artist Nico Vascellari is on show at London's Estorick collection. Pictured centre: described by the gallery as an 'intervention', 1990 is found displayed between Umberto Boccioni’s Portrait of Betty and Nora Baer and Ardengo Soffici’s Deconstruction of the Planes of a Lamp. Photography: Claudia Zanardi. Courtesy the artist and Bugada&Cargnel, Paris

上周，我们在伦敦卡农伯里市的埃斯托利克收藏集(EstorickCollection)上游走时跳了起来。走上楼梯，一个无伤大雅的悬挂灯泡迅速地上下跳动，吸引了来自现代意大利作品的注意力，这些作品构成了Esoterick的核心收藏，哪怕只是片刻。

这种转移是由当代艺术家Nico Vascellari的表演作品“灯泡”，它每40秒自动移动一次。这是一个新展览的一部分，展出了他的六件作品，统称为“经验化石”；散落在埃斯托里克家族的永久藏品中，这位年轻的意大利人的艺术与影响它的作品直接并列在一起。

Vascellari的作品包括音乐、视觉和表演艺术。“1990年左右，我通过滑板发现了硬核音乐，”他解释道，“但音乐会发生得太远了，所以我开始在父母不在的时候在客厅组织音乐会。”从那时起，“自己动手”的概念就成了我的人生哲学。他从一开始就将这一主动运用到他的创作实践中(以及他的课外兴趣-他在一支技术乐队“巴西尼尼诺斯”中演奏)。

这是他的朋克色拉时代的一个缩影，题为“1990年”的作品是用一个木框包装的破碎的葡萄酒和啤酒瓶制成的，陈列在翁贝托·博乔尼(Umberto Boccioni)1909年的“贝蒂和诺拉·贝尔(Nora Baer)画像”和“阿登戈·斯巴乔尼(Ardengo Soffice I)的在同一个房间里，你会不由自主地注意到经验化石的轰鸣声；它落在炉子上，铁和木头的机械装置发出抽象的节拍，灵感来自坐在对面墙上的路易吉·鲁索(Luigi Russolo)的音乐作品。

展览继续进行，埃斯托利克称之为“干预”。也就是说，他巧妙地操纵着他思想无限中的结和洞。两个镜像木板隐约在空间中，它们的缺陷四处移动。

最后一个空间，充满了马里奥西罗尼的现代主义绘画，看到了一只双面陶猫头鹰，它的羽毛重新加工成一只手，设置在靠近天花板的树枝状木梁上。Vascellari的作品，通过一个洞，增加了一点轻松幽默的程序，“手”抓住另一个雕塑在房间里，埃米利奥格雷科的卧床裸体。

“这在某种程度上是一种被迫的对话，”瓦塞拉里谈到他的作品和永久藏品之间的联系时说。接下来是另一场在英国本土举行的个展：曼彻斯特惠特沃斯画廊的一场更不祥、更神秘的玻璃展览，名为“La Lum巴士”(Bus De La Lum)。

Titled 'Fossils of Experience', the show features six of Vascellari's works scattered among the Estorick's permanent collections. Pictured: Fossil Of Experience, 2016. Photography: Claudia Zanardi. Courtesy the artist and Bugada&Cargnel, Paris

His 2016 piece, Fossil Of Experience, is found settled on a hearth. The iron and wood mechanism moves to create an abstract beat – inspired by the musical works by Luigi Russolo that sit on the wall opposite. Photography: Claudia Zanardi. Courtesy the artist and Bugada&Cargnel, Paris

'The concept of "Do It Yourself" has become a life philosophy for me,’ explains the artist. Pictured: 1990, 2016, made of smashed wine and beer bottles encased in a wooden frame. Photography: Claudia Zanardi. Courtesy the artist and Bugada&Cargnel, Paris

Into the Infinity of Thoughts, 2014. Photography: Claudia Zanardi. Courtesy the artist and Bugada&Cargnel, Paris

The final space sees a double-faced terracotta owl, its plumage reworked as a hand, set close to the ceiling on a branch-like wooden beam, titled Through a Hole, 2015. Left: Through a Hole, 2015. Right: Bulb, 2014. Photography: Andrea Piffari. Courtesy the artist and Bugada&Cargnel, Paris

Adding a touch of light humour to proceedings, Through a Hole is found grasping towards the one other sculpture in the room, Emilio Greco’s Crouching Nude. Photography: Andrea Piffari. Courtesy the artist and Bugada&Cargnel, Paris

keywords:London, Galleries, Italy

关键词：伦敦，画廊，意大利