'Spring' the latest exhibtion of Mathieu Lehanneur's works opens at Carpenters Workshop Gallery in London. Pictured: 'Spring Lamp' in Irish green marble

最近在伦敦举行的木匠工作室展览馆有一种轻松的感觉。夏秋相遇的关键是“春天”，这是法国设计师马蒂厄·莱汉纳(Mathieu Lehanneur)的流体化学作品的展览。

在他即将到来的“液体大理石”装置开始之前

微妙的色彩组合的产品允许流动的线条和图案在最前沿。玻璃从来没有过纹路，铝被剥夺了他的锐度，相反，它们是流动的波浪，管子或膨胀的气泡。通过他不断的实验和研究，每一件作品都发现自己不断地处于中间：固体和液体，设计和艺术，家具和雕塑。

一个物体是成功的，当技术壮举，使它的创造让位于它的审美吸引力，它的可取性，解释说，抽象之间的迷人雕塑。S.M.O.K.E Onyx膨胀的玻璃气泡和结霜的色调与低暗的“液态铝”和“液体大理石”桌子上的深波大不相同。这些运行与两个新的‘弹簧灯’站在红玛瑙与它的玻璃光，戏剧性地达到深刻的拱形曲线。所有这些都被“Les Cordes”吊灯遮住了，它毫不费力地从天花板伸出，在简单干净的玻璃中蜿蜒而过。

Lehanneur的优雅的“春季”节目在9月30日之前一直保持在视野中，而猛妈妈的“液体大理石”安装在9月17日开放。

In an array of lighting and tables, 'Spring' showcases the French designer's world of materials,  said to be stuck between the elements of solid liquid and gas. Pictured: 'S.M.O.K.E Onyx' (Pink)

Glass never has ridged lines and aluminium is stripped of its sharpness, instead both are flowing waves, tubes or inflated bubbles. Pictured: 'Les Cordes' chandelier

‘An object is successful when the technical feat that allowed its creation gives way to its aesthetic appeal, its desirability,’ explains Lehanneaur of the abstraction between the fascinating sculptures. Pictured: 'Liquid Aluminium'

The inflated glass bubbles and frosted tint of S.M.O.K.E Onyx (pictured) differs massively from the deep waves in the low and dark ’Liquid Aluminium’ and ‘Liquid Marble’ tables

‘Spring’ is a sensational dose of Lehanneur’s melding of technology with domestic design

On view until 30 September, the mammoth ‘Liquid Marble’ installation (an expanded version of the installation pictured here), opens 17 September at the V&A as part of London Design Festival

keywords:Carpenters Workshop Gallery, London Design Festival, Victoria and Albert Museum, Installations, Lighting, London exhibitions

关键词：木匠工作室画廊，伦敦设计节，维多利亚和阿尔伯特博物馆，装置，照明，伦敦展览