O House by Hideyuki Nakayama Architecture. Photography: Jérémie Souteyrat

日本住房市场是一个特殊的现象。与西方国家的住宅不同，随着时间的推移，日本住宅的价值迅速贬值。正如经济学家RichardKoo和MasayaSasaki在2008年的一份报告中所指出的那样，一个典型的住宅在建成后的15年内就会失去所有的经济价值。房屋的物理寿命也是有限的-估计木质建筑的平均寿命为20年，混凝土结构的平均寿命为30岁。

这是一种文化上的反常现象，使得今天在阿姆斯特丹画廊Looiersgracht 60举办的一个新展览更加发人深省。从1933年到2013年，由建筑师Véronique Hour、Fabien Mauduit、Manuel Tardits和摄影师Jérémie Souteyrat、“日本，房子群岛”(Japan，Archipelago of the House)等70所日本住宅共同策划-全部由日本建筑师建造。

该节目将日本的住宅景观分为三章。“昨天的房子”包含了一个小而完美的住宅集合，建于1933年至1984年，特色是安藤忠雄和伊藤东洋等人的住宅。

与此同时，东京的家们关注的是日本首都最醒目的住宅建筑实例——也许是其最短暂的例子——苏泰老鼠的令人难忘的“肖像”。
从地震到不寻常的建筑法规，许多经济、文化和地理因素都对城市的流体建筑构成做出了贡献。

最后，“今日之家”审查了1993-2013年20年来建造的新住宅，其中包括Shigeru潘基文建筑师、Yasushi Horibe、Atelier Bow-Wow和Mikan的案例研究。对住宅居民的采访探讨了极端功能和空间经济性的概念，并得到建筑师的绘图、地图、照片和电影的进一步补充。

展览的简约设计体现了“日本设计的简单性”，特别为便携性设计。
轻质显示系统完全由杨木胶合板制成——日本房屋中常用的材料——基于传统日本Tatami的测量。
在设计博物馆的金像馆展出之前，展览将有一种返乡的方式，因为它行进到日本。

日本的一次性家庭文化可能看起来很浪费-当然，它给经济和环境带来了压力。然而，正是这种文化培养了日本建筑师设计奇特而引人注目的住房。

这里有更多的日本住宅建筑

The show divides Japan’s residential landscape into three segments. ‘Today’s Houses’ examines more recent homes (pictured, Window House by Yasutaka Yoshimura Architects) built over two decades from 1993–2013. Photography: Jérémie Souteyrat

Maison Aki-Shima was built in 2004 in Akishima, Tokyo, by architect Taira Nishizawa. Photography: Jérémie Souteyrat

Park view from the living room of Maison Vista, designed by Shigeru Ban. Photography: Jérémie Souteyrat

The exhibition’s minimalistic design reflects the ‘simplicity of Japanese design’, having been especially conceived for portability. Photography: Fabian Landewee

The lightweight display system is made entirely of poplar plywood – a commonly used material in Japanese houses — and based on the measurement of traditional Japanese tatami. Photography: Fabian Landewee

Narrow housing has becoming increasingly popular, such as with this house designed by On Design, due to strict planning regulations. Photography: Jérémie Souteyrat

Repository, built in 2012 and conceived by Jun Igarashi Architects, sits on the outskirts of Asahikawa. The region sees a drastic temperature swing of 60°C between summer and winter, and so the house has been designed with this mind, featuring only small openings and plenty of insulation. Photography: Jérémie Souteyrat

Tokyo homes, meanwhile, are spotlighted care of Souteyrat’s ‘portraits’ of the Japanese capital’s most striking examples of residential architecture. Pictured, House Tokyo by ALX. Photography: Jérémie Souteyrat

Laatikko by Workshop Kino, Tokyo. Photography: Jérémie Souteyrat

Delta by Architecton, Tokyo. Photography: Jérémie Souteyrat

Installation view of 'Japan, Archipelago of the House'. Photography: Fabian Landewee

The section ‘Yesterday’s Houses’ comprises a small collection of residences built between 1933 and 1984. Pictured: Mountain Villa in Karuizawa by Junzo Yoshimura, 1962

Maekawa house (pictured) by Maekawa Kunio was completed in 1942 and built in a space limited to less than 100 sq m

Kiritoshi House by Sugawaradaisuke. The architects explain, 'The exterior is finished as a simple box, allowing the residence to blend in easily with the rest of the surroundings.' Photography: Jérémie Souteyrat

In House in Komazawa by Go Hasegawa, the floor of the study is made of wooden slats to allow light from a large window upstairs down through the entire house. Photography: Jérémie Souteyrat

keywords:Amsterdam, Japan, Tokyo, Galleries, Photography, Japanese architecture, Shigeru Ban

关键词：阿姆斯特丹，日本，东京，画廊，摄影，日本建筑，Shigeru潘基文