The Parrish Art Museum in Water Mill, New York, is the first museum to stage a survey of site-specific projects on water

在美国东海岸的夏天主要有一个主要的迁徙模式：每周到东长岛和汉普顿的逗留。赫尔佐格

随着25个国际艺术家和集体的作品的展出，“激进航海”代表了一种新的表达方式，解决了气候变化、海平面上升和移民变化等问题。世纪艺术基金会策展人安德里亚·格罗弗(AndreaGrover)说，当代艺术家在水上创作的作品越来越多，正在接近陆地艺术等运动的临界质量。“离岸艺术”项目代表了一种新的表达形式，尤其是当人们认为世界上一半的人口生活在距海岸200英里的范围内时，这种表达方式尤其强大。

这次展览分为四个主题：探索、解放、实地考察和思考，这些主题触及自力更生的观念，收集环境研究，以水道为平台建立其他现实，寻求新的经验。凭借克里斯·布拉德(Chris Burden)、艾蒂尔·范利舍特(Atelier Van Lieshout)、巴克敏斯特·富勒(Buckminster Fuller)、维克·穆尼茨(Vik Muniz)、丹尼斯·奥本海姆(Dennis Oppenheim)和斯沃恩(

Entitled ‘Radical Seafaring’, the group exhibition encompasses a variety of experiments, journeys and installations in a range of disciplines. Pictured front: Protei 010.9 Mini Cargo, 2014, by Cesar Harada. From left to right: Curtains For The Free World, Photograph of Duke Riley in The Acorn Submarine and Items Salvaged from Vessel: Whale’s teeth believed to have been engraved by Gordon Davis while inside The Acorn vessel, by Duke Riley, 2007; Daisy Chain, by Michael Combs, 2016; Floating Pyramid, by Pedro Reyes, 2004

The exhibition captures a new mode of expression that address concerns such as changing weather patterns, rising sea levels and migratory changes. Pictured front: Breach #2, by Courtney M. Leonard, 2015, Protei 010.9 Mini Cargo, by Cesar Harada, 2014 (center) and Untitled, by Mare Liberum, 2014; You Made a Better Wall Than a Window, by Constance Hockaday, 2016 (behind)

Curator Andrea Grover says, ‘The increasing number of works created on the water by contemporary artists is approaching the critical mass of a movement like land art.' Pictured: Triton City Model, by R Buckminster Fuller, 1968

She adds, 'The "offshore art" projects represent a new form of expression that is especially powerful when one considers that half the world’s population live within 200 miles of a sea coast.’ Pictured from left to right: The Ruins (Fort Tyler), Plum Island, North Brother Island and Gardiner’s Island, all by Scott Bluedorn, 2016; Hickory,

The exhibition has been divided into four themes: exploration, liberation, fieldwork and speculation, all pointing to the world’s changing reality. Pictured: photos from posthumous performance of Floating Island to Travel Around Manhattan Island (two photographs from Minetta Brook/Whitney Museum of American Art production), and video from posthumous performance of Floating Island to Travel Around Manhattan Island, both by Robert Smithson, 2005

keywords:Galleries, Museums, New York exhibitions

关键词：画廊、博物馆、纽约展览