rita parniczky wins perrier jouet arts salon prize 2016 with abstract textile work
2016-06-28 11:23
Hungarian weaver Rita Parniczky is the recipient of this year's Perrier-Jouët Arts Salon Prize, awarded each year to a contemporary craftsperson whose work embodies the values of Art Nouveau
伦敦夏季传统,佩里尔-朱厄特艺术沙龙奖展览回来,为其第四章,庆祝当代创作者谁通过他们的作品建立了艺术和自然之间的纽带。本着“新艺术原理”的精神,今年获选的获奖者是匈牙利出生的纺织艺术家丽塔·帕尼茨基,她的首次个展“编织与光”将于7月30日在当代应用艺术展上展出。帕尼克斯基是由今年的主席、维多利亚和阿尔伯特博物馆(Victoria And Albert Museum)的乔·胡珀(Jo Hoper)领导的一个小组选出的,其中包括就职获奖者Hitomi Hosono、艺术评论家彼得·阿斯登(Peter Aspden)、设计师托德·博恩杰(Tord Bo@@
纺织艺术家的作品吸引了沙龙的共识,他们的小说艺术和自然的方法,结合抽象的形式和精确的工艺,提供了新的抽象解释沙龙的概念。Parniczky说:“在匈牙利乡村长大,我所在地区的平坦景观给了我无限视野的视野,不影响我对尺度的看法。”透过冬冬树的骨架,明媚的雪花,以及这些元素之间的反差,我的视觉语言中总是有光影。
帕尼克斯基的作品由手工编织的纺织品组成,她用透明的尼龙单丝与彩虹线和天然线如棉和人造丝混纺而成。这位艺术家的纺织造型灵感来自于诺维奇大教堂的哥特式建筑,以及解剖学和人体。帕尼茨基说:“我看到身体的骨骼结构就像建筑结构,我通过进一步发展这种编织技术,把它们带入了我的世界。”
在她的作品中,人体是一个强有力的参考,由骨骼、血管和神经系统所激发的垂直形状。这些元素在非凡的纺织面板中被抽象和再现,并且由于她的技术背后的透明度,这些元素以光的形式进行交流。我觉得我作品的这个方面很有趣,因为它一直在变化,而光却在变化。自然环境和环境对作品有相当的影响,有一种表现与工作和自然的轻盈。
她的作品是自然、传统工艺和当代艺术的结合,是一种静思而又悄然创新的作品。“这个奖项是关于日常生活中的美的,”Perrier-Jou t风格总监AxelledeBuffEvent解释说。丽塔以一种令人惊奇的方式来做这件事。这也是关于以一种非常现代的方式授予制作的美和制作的美-我们不怀旧,不回头,我们有一个非常强烈的遗产,我们想要以当代的方式继续生存下去。“
Parniczky's work is on show until 30 July at Contemporary Applied Arts, in a display curated by Perrier-Jouët Arts Salon member Julia Royse
The textile artist’s works attracted the Salon’s consensus for their novel approach to art and nature, with a combination of abstract forms and precise craftsmanship
‘Growing up in the Hungarian countryside, the flat landscapes of my region gave me unlimited views of the horizon, un-bounding my perspectives of scale,’ says Parniczky. ‘Light and shade through skeleton-like winter trees, the glare of virgin snow, and the contrast between these elements are ever present in my visual language’
The exhibition includes a series of textiles as well as photographic prints that the artist produced while studying textile design at Central Saint Martins
Parniczky’s work consists of hand-woven tapestries, which she creates on a manual loom using transparent nylon yarns mixed with iridescent filament and natural threads such as cotton and rayon
The artist’s textile shapes are inspired by the gothic architecture of Norwich Cathedral as well as anatomy and the human body: ‘I see the bone structure of the body like an architectural structure,’ says Parniczky
Organic inspirations are abstracted and recreated in her extraordinary textile panels, conversing with light thanks to the transparency behind her technique. ‘I find this aspect in my work very interesting; the fact that it’s changing all the time as light is changing,' she says
'Natural circumstances and the environment have quite an impact on the pieces, there is a kind of performance with the work and natural light,’ she concludes
伦敦夏季传统,佩里尔-朱厄特艺术沙龙奖展览回来,为其第四章,庆祝当代创作者谁通过他们的作品建立了艺术和自然之间的纽带。本着新艺术原则的精神,这是.
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