A cross between design, architecture and sculpture, Carlo Brandelli uses his perfect 1/6 scale gestures to explore new volumes and ideas. Photography: Charlotte Crowston

威尼斯的卡洛·布兰德利(Carlo Brandelli)正在创作一套新的玻璃雕塑系列，他解释道：“很难单靠图像来展示你的作品。”“我的作品不仅是关于设计或时尚，它还涉及艺术理论与严重的建筑偏见，所以通过作出这些1/6的规模手势，我可以清楚地显示一个主题或概念。”

布兰德利通常每季制作20幅微型画，他喜欢给那些走过他的路的志同道合的人。扎哈·哈迪德喜欢她的，大卫·阿贾耶也很喜欢，而奥克维·恩韦佐已经开始收集它们了。

融合时尚设计、建筑和雕塑，Brandelli说，他主要使用它们来测试新的卷。马鬃是一种重要的材料，它为所有定制的夹克提供了坚实的基础——Kilgour的自由创意总监在过去的四或五年里做出了3, 4层和5层的手势，以此来解释他的设计的非对称性和雕塑性。他解释说，负面空间、感知领域和规模都很容易理解。

这一概念最初是从他的纸制雕塑作品中诞生的，灵感来自于约瑟夫·博伊斯的作品，布兰德利在2010的时装创作中打破了时尚。他补充说，我开始帮助他们搬到一个更具雕塑性、艺术性的领域，同时我也错过了设计夹克的学科。

‘My work isn’t just about design or fashion so by making these gestures I can show a theme so much better than an image,’ explains the polymath. Photography: Carlo Brandelli

Composed of horsehair – the crucial material that gives all bespoke jackets its shaping – he has made the 3, 4 and 5 layered gestures for the past four or five years as a way of explaining the asymmetric and sculptural quality of his designs. Photography: Carlo Brandelli

'The idea of negative space, field of perception and scale are easily understood with these,' he adds. Photography: Carlo Brandelli

The concept was initially born from some paper sculptures that he made back in 2010 during a break from fashion and reference the paper pattern layering process. Photography: Carlo Brandelli