Translation of material, a thread of investigation that runs through Fredrikson Stallard’s work, in this case from clay to white bronze, exposes the incidental nuances from the original form. Photography: William Bunce

伦敦设计二重奏弗雷德里克森斯塔拉德已经掌握了使复杂的过程看起来似乎毫不费力的艺术。他们最新的研究成果-一条单体容器系列-也没有什么不同。设计来容纳植物，无论是室内还是室外，雕塑的‘Hybridge ae’系列是通过在兵马俑中塑造物体，然后数字放大成永久的块铸造成实心的白色青铜。精确的过程确保每一个细节，包括指纹和机械痕迹，在最后的闪闪发光的作品中被仔细地捕捉和放大。

如2017年5月“壁纸”*(W*218)中所述

'Hybrideae IV' and its creators, Patrik Fredrikson and Ian Stallard

'Hybrideae II' (left) and 'Hybrideae IV'

The 'Hybrideae' series is the result of shaping minute expressive objects in soft red terracotta and then digitally enlarging these into permanent objects in white bronze

The designers working on the finishing touches of 'Hybrideae IV'

keywords:Fredrikson Stallard

关键词：Fredrikson Stallard