The Pompidou's Cy Twombly retrospective opens with a painting from the artist’s first solo exhibition at New York's Stable Gallery in 1955. © Centre Pompidou. Photography: Philippe Migeat

1963年秋天，约翰·F·肯尼迪在得克萨斯州达拉斯被暗杀。他的妻子杰基·肯尼迪当时穿着草莓粉西装。著名的是，在林登·B·约翰逊宣誓就职和带着总统遗体返回华盛顿的航班上，她坚持要戴着这件衣服-他的血还沾满了他的血。

正是这一关键事件-以及服装细节-是已故美国画家塞特沃里(Cy Trowble)在紧接之后的一段时间里致力于绘画的循环。1963年的“Commodus”系列“九篇演讲”将于次年春天在纽约里欧·卡斯特里的画廊展出。据报道，托姆布里没有带着这些作品去旅行，他们的安装没有他按错误的顺序进行。评论家们强烈地嘲笑这个展览。唐纳德·贾德(DonaldJudd)写了一篇“致命的评论”；其他人则宣称他们是“过时的”和“过于欧洲@@

“Volubilis”，1953年。由妇女基金会提供。

现在，这些非凡的作品在庞皮杜中心展出，这是自2011年艺术家去世以来首次在巴黎举行的权威回顾展。该调查以三个主要周期为中心-上述关于Commodus的九次讨论；Iliam的50天(1978)；以及Sesostris的加冕(2000)-这项调查涵盖了托姆布里60年的职业生涯，按时间顺序绘制了大约140幅绘画、照片和雕塑。

埃德温·帕克·托姆布里1928年出生于弗吉尼亚州的列克星敦，他的父亲的昵称是“赛伊”(以棒球运动员“少年旋风”的名字命名)。在西班牙艺术家皮埃尔·多拉的指导下，他对艺术的亲和力很早就形成了。到1950年，托姆布里发现自己在纽约学习，在那里他会遇到艺术家罗伯特·劳森伯格(Robert Rauschenberg)和贾斯珀·约翰斯(Jasper Johns)；这三人将结下深厚的终身友谊，影响彼此的艺术实践。(在偶然的对称中，罗森伯格也是伦敦泰特现代一次大型回顾展的主题)。

“盛开”，2001-2008年。档案基金会提供：Nicola Del Roscio.

展览以1955年在纽约马克斯画廊举行的特沃利第一次个展上展出的一幅画开始。这是一部艺术家毕生保存的作品，它的半具象性是“独特的”。在涂鸦般的涂鸦中，一只眼睛注视着入口处的游客.正如馆长乔纳斯·斯托斯夫(JonasStorsve)所解释的那样，“参观者在观看那幅画的同时，也会回头看。”

这是一种贯穿整个节目的情感。关于爱情、性和死亡的个人轶事充斥着托姆布里的作品，但这位神秘的艺术家总是巧妙地偏离方向，引用了各种现实世界事件或格列柯罗马人的影响。

回顾展以托姆布里职业生涯结束时在他位于盖塔的工作室里创作的作品结束。(C)蓬皮杜中心(CenterPompidou)。摄影：Philippe Migeat

托姆布里的艺术转型在蓬皮杜中心得到了认真的探索。在此过程中，参观者还可以看到他的实践中其他一些鲜为人知的方面-他的一系列雕塑完美地点缀了展览的中途，而他的宝丽体则是一个启示。(在他的整个职业生涯中，神秘的托姆布里拍摄得相当广泛，但直到上世纪90年代才首次曝光。)

2005年，在伊拉克战争的高峰时期，托姆布里在他的盖塔工作室开始了一系列史诗般的绘画。回到他在20世纪60年代后期的黑色绘画中探索过的特色作品，巴克斯系列作品成为了最后一场表演；有力的、旋转的血红画布暗示着葡萄酒和死亡。托姆布里的进化是完整的。

“无滴定(时间的汇集)”，2003年。由Udo et Anette Brandhorst收藏提供。

庞皮杜中心的回顾展-全面的，但可以说是不完整的-为托姆布里的全部作品提供了巨大的服务，展现了一位艺术家在他那个时代被诬蔑的复杂性，但现在肯定不是这样。

The major survey spans Twombly’s 60-year career through some 140 paintings, drawings, photographs and sculptures mapped out chronologically. Pictured, Untitled (Lexington), 1951. © Cy Twombly Foundation. Courtesy of Archives Nicola Del Roscio

Still Life, Black Mountain College, 1951. © Fondazione Nicola Del Roscio. Courtesy Archives Nicola Del Roscio

Untitled (Grottaferrata), 1957. © Cy Twombly Foundation. Courtesy of Galerie Karsten Greve, St Moritz, Paris, Cologne

Sperlong Collage, 1959. © Cy Twombly Foundation. Courtesy of Archives Nicola Del Roscio

The fourth room of the exhibition is dedicated to works the artist produced in Rome between 1960 and 1962, following his marriage to Italian aristocrat Luisa Tatiana Franchetti. Twombly produced some of his most sexual paintings during this period. © Centre Pompidou. Photography: Philippe Migeat

Dutch Interior, 1962. © Cy Twombly Foundation. Courtesy of Archives Nicola Del Roscio

In late 1963, following John F Kennedy’s assassination, Twombly devoted a cycle of nine paintings to the Roman emperor Commodus (161–192), son of Marcus Aurelius and remembered as a cruel and bloodthirsty ruler

The Paris exhibition was organised with the support of the artist’s son, Alessandro Twombly – the show includes this 1965 portrait of him as a child. © Cy Twombly Foundation. Courtesy of Archives Nicola Del Roscio

Night Watch, 1966. © Cy Twombly Foundation. Courtesy of Jeffrey Hoffeld Fine Arts, Inc; and Cheim & Read

Visitors also get a glimpse into other lesser-known facets of Twombly’s practice – an array of his sculptures perfectly punctuate the exhibition halfway through. © Centre Pompidou. Photography: Philippe Migeat

In 1975, Twombly bought a 16th-century house at Bassano in Teverina, north of Rome, establishing his summer studio there. Inspired by Homer’s Iliad, read in Alexander Pope’s 18th-century English translation, he embarked in 1977 on the major cycle Fifty Days at Iliam, the ten paintings in which were completed over two successive summers. © Centre Pompidou. Photography: Philippe Migeat

Fifty Days at Iliam Shades of Achilles, Patroclus and Hector, 1978. © Cy Twombly Foundation. Courtesy of Philadelphia Museum of Art

Wilder Shores of Love, 1985. © Cy Twombly Foundation

Summer Madness, 1990. © Cy Twombly Foundation. Courtesy of Udo et Anette Brandhorst Collection

A selection of Twombly’s Polaroids are also on show as part of the survey. © Centre Pompidou. Photography: Philippe Migeat

These images recall the work of the Italian painter Giorgio Morandi. Pictured, Lemons, 1998. © Fondazione Nicola Del Roscio. Courtesy of Archives Nicola Del Roscio

Coronation of Sesostris is one of the major painting cycles that punctuated Twombly’s career, differing from the purely abstract series in its incorporation of narrative elements. © Centre Pompidou. Photography: Philippe Migeat

The cycle is inspired by the god Râ, whose two sun-boats traversed the heavens both day and night. © Centre Pompidou. Photography: Philippe Migeat

For the Bacchus series, painted at Twombly’s Gaeta studio in early 2005, the artist again remembered Homer’s Iliad and returned to the writing he had explored in the Black Paintings of the late 1960s. Pictured, Untitled (Bacchus), 2005. © Cy Twombly Foundation. Courtesy of Udo et Anette Brandhorst Collection

Here, he replaced the white wax crayon with red paint evocative of both blood and wine, allowed to run freely across the vast canvases. © Centre Pompidou. Photography: Philippe Migeat

keywords:Painting, Paris exhibitions

关键词：绘画，巴黎展览