Orsi Khaneh, Keivani Architects, 2015: Orsi Khaneh offers an innovative new take on the Orsi, a special window made from a wooden lattice and stained glass that is a staple of traditional Iranian architecture

从旋转的堆叠的太阳房到由砖和木材组成的网格状的立面，近年来，越来越复杂的住宅在德黑兰穿过，以与首都的膨胀混凝土天际线相媲美。
居住在伊朗首都的住宅项目的繁荣主要是在过去十年内建立的地方建筑和设计工作室的手中。
这些年轻建筑师对于最新的渲染软件和3D打印技术提供了最新的渲染软件和3D打印技术，为他们的城市的未来提供了一个雄心勃勃的愿景，这些年轻建筑师正在德黑兰建立新的建筑时代。

尽管许多人很快将伊朗所谓的“建筑觉醒”归功于伊朗首都最近出现的政治和经济变化-包括2013年选举改革派总统哈桑·鲁哈尼(Hassan Rouhani)，以及2016年解除经济制裁-但这一活动主要发生在私营部门，首个大型公共项目“塔巴特大桥”(Taibat Bridge)去年夏天才获得资金。德黑兰住宅项目的直接演变表明，随着进入21世纪，伊朗首都城市的生活和文化发生了巨大的变化。

由贸发局办公室设计的萨巴公寓有一个动态的双面结构，可以调节光线和隐私。

德黑兰建筑业的“新本地化”或许还能缓解这座拥有900万人口的资本的成长带来的痛苦。出生和成长的建筑师不仅能为当地最好的建筑材料供应商提供资源，而且他们还对德黑兰迫切需要其建筑发挥的作用有一个准确的理解，并对城市的未来进行顽强的投资。这种意识和良知无疑会随着更多的公共部门项目获得批准而变得越来越有益。

除了几乎普遍使用当地来源的可持续材料外，高科技项目，如贸易发展局办公室的Saba House，还在屋顶上安装了太阳能电池板，以灌溉屏幕之间的墙花园，而下一办公室的Sharifi-ha House则自转以产生不同程度的能见度和窥淫性。这些住宅不仅漂亮，而且还活着。德黑兰最新一代的建筑师们正在为首都带来一个强大的愿景，那里的房屋变成了生态建筑，从字面上讲，它为一个更加一体化的公共和私人空间铺平了道路，这个空间将传统与先锋派结合起来。

Orsi Khaneh, Keivani Architects, 2015: Infusing the core concerns of light, irrigation and plant life, patternation and colour that inform Iranian dwellings and Persian culture, the building is characterised by a robust and highly geometric façade that uses thermowood, concrete, and stained glass bricks that cast a kaleidoscope of colour into the apartments as sun filters through

Apartment 135, BNS Studio, 2017: As the new kid on the block, Apartment 135 is slated for completion in September of this year. Located in Saadat Abad in northwest part of Tehran, its façade is constructed from a combination of fixed brick panels and protruding modular frames

Apartment 135, BNS Studio, 2017: This old-meets-new motif is complemented by a rooftop garden and modular flower boxes stationed outside of windows, which revitalise the traditional Iranian architectural connection of the home with nature

Sharifi-ha House, Next Office, 2013: Situated in the Darrous neighbourhood of northern Tehran, one of the city’s most affluent areas, the Sharifi-ha House is quite possibly the most dynamic residential project from Tehran’s recent architectural awakening

Sharifi-ha House, Next Office, 2013: Stacked wooden boxes housing light-filled sitting rooms framing the façade literally rotate out of their sockets, cantilevering over the building’s street presence at the whims of the resident. The house can undergo different states of introversion and extroversion, offering a nuanced spectrum of private and public, as it shifts in its own formal configuration

Bagh Jannat, Bracket Design Studio, 2015: Strips of wood frame the street view of Bagh Jannat, seamlessly disguising the moveable windows to accommodate changing temperatures and levels of sunlight. The three-storey private residence is lifted off ground level to give a sense of privacy to its residents, which is achieved despite apartment’s situation at the turning point of the alley

Bagh Jannat, Bracket Design Studio, 2015: Bagh-Jannat Street is situated in Abbasabad, another historically affluent neighbourhood – Bracket Design Studio pays tribute to this heritage with a pared-back and refined aesthetic that utilises a material indexing Persian cultural history

Cloaked in Bricks, Admun Design & Construction Studio, 2015: Perhaps one of the most innovative voices of new Iranian architecture, Studio Admun Design jumped to the call for an upgraded façade to a pre-existing residential apartment in District 5 of Northwest Tehran, a notoriously chaotic and high-traffic part of the city

Cloaked in Bricks, Admun Design & Construction Studio, 2015: Heeding the client’s request for matters of privacy to take front and centre in the façade’s renovation, the architect’s response fused Persian cultural history as indexed by brickwork with revolutionary parametric design software to create an undulating, porous screen that absorbs and filtrates the dynamism of its local surroundings

Saba Apartment, TDC Office, 2015: Saba Apartment aims to restore the intimate connection between nature and mankind, which the architects see threatened by the high-rise takeover of Tehran

Saba Apartment, TDC Office, 2015: This apartment offers a dynamic double-skin structure with one transparent layer and one moving wooden layer that can be modified by its residents. Answering to the dwellers’ changing needs of light and privacy, this sustainable wooden screen appears to passerby as an animated silhouette of architectural theatre

Sepehr Apartment, TDC Office, 2013: Sepehr Apartment is TDC Office’s direct response to the vertical growth of a ‘faceless’ Tehran. The contemporary condition of city offers new challenges as well as new opportunities for re-interpreting the façade as a four-dimensional space

Sepehr Apartment, TDC Office, 2013: Steeped in nostalgia for puzzle games and origami, this angular, geometric double-skin gives an immediately distinguishable identity to the apartment while also answering to issues of privacy and sustainability

Andarzgoo Residential Building, Ayeneh Office, 2015: This five-storey west-facing property is nestled in a narrowed alley that is routinely flooded with construction, noise, grime and dirt. Andarzgoo’s striated skin of rough granite change is complemented by moveable wooden shutters that defend against the harsh afternoon summer sun. The pared-back aesthetic of the façade helps to remove the building from its local surroundings

House of 40 Knots, Habibeh Madjdabadi + Alireza Mashhadimirza, 2014: Taking inspiration from the ancient weaving technique of Persian carpets in which one weaver reads aloud instructions while the other knits, the handmade brick façade of the House of 40 knots is an improvisational affair that required no training from the pairs of craftsmen who willed it into being. Prepared row-by-row and without phase drawings, the façade shape-shifts from the inside out, whether as window view overlaid with an undulating lattice of bricks, or a bulky, homogenous structure that spills out onto the street

Haghighi Residence, boozhgan architecture studio, 2013: Crafted with the client’s need for a residence that perfectly synchronises nature and humanity – a crucial symbiosis within Persian history and culture – the Haghighi House features a wall of bricks laid in a checkered pattern that alternates between projected blocks and those set in relief. 

Haghighi Residence, boozhgan architecture studio, 2013: The result is a highly textured and visually dynamic façade that distinguishes the house from others in the neighbourhood while offering a spectrum of light levels and shadow play to enter the apartment

keywords:Residential architecture, middle eastern architecture

关键词：住宅建筑，中东建筑