frieze london 2017 in pictures

2017-10-06 13:56
Almine Rech Gallery presented works by Xu Qu, Günther Förg, and Ha Chong-Hyun. Courtesy of Almine Rech Gallery. Photography: Raphael Fanelli
由于世界上如此多的不确定性,收藏家们是否转向了安全的赌注?这是弗里泽的空气中的一个问题,在那里古怪的概念作品以它们的缺席而闻名。相反,画廊推出了带有可理解叙事的绘画和雕塑,以前版本中的“肩”、“超市走道”的氛围已经让位给了一些更平静、更深思熟虑的东西。
杰出的个展包括非裔美国艺术家梅尔文·爱德华兹(Melvin Edwards)在斯蒂芬·弗里德曼(Stephen Friedman)的雕塑,以及德国艺术家托马斯·鲁夫(Thomas Ruff)在吕迪格·舍托(Rüdiger Sch tle)的24场“负片”,而蒂莫西·泰勒(Timothy Taylor)画廊则让81岁的墨西哥艺术家爱德华多其结果是一个引人注目的网格系统,其中23项新的工程。

                            
爱德华多·特拉萨斯在蒂莫西·泰勒展出了新作品和独特的展位设计。蒂莫西·泰勒,伦敦/纽约。摄影:Sebastiano Pellion di Persano

                            
在弗里泽大师(FriezMaster)那里,画廊可以获得丰富的商品目录,那里并不缺少富有想象力的展位。卢森堡
探索前14个卫星展览和活动周
我们和纺织艺术家希拉·希克斯进行了一次又一次的接触。
科尼格·加莱丽带着两个新的地点,以及杰里米·肖号的帮助,跳到了伦敦。
Hauser & Wirth took a trip through time, recreating a fictional Bronze Age presentation from a forgotten museum. Hauser & Wirth recreates a fictional Bronze Age presentation from a forgotten museum. Realised in collaboration with Mary Beard, Professor of Classics at the University of Cambridge, the booth, titled ‘BRONZE AGE c. 3500 BC – AD 2017’, focused solely on works made of bronze. Courtesy of the artists/estates and Hauser & Wirth. Photography: Alex Delfanne
These include artefacts on loan from international museums and private collections nationwide, sculptures by artists such as Louise Bourgeois, Henry Moore and Fausto Melotti, and miscellaneous bronze objects purchased from eBay, masquerading as archaeological finds. Courtesy of the artists/estates and Hauser & Wirth. Photography: Alex Delfanne
Timothy Taylor gallery gave 81-year-old Mexican artist Eduardo Terrazas free reign to curate its booth. © The artist. Courtesy of Timothy Taylor, London/New York. Photography: Sebastiano Pellion di Persano
Galerie Perrotin dedicated its entire booth to Brooklyn-based artist Kaws. Photography: Claire Dorn. Courtesy of the artist and Perrotin
Untitled, 2017, and Untitled, 2017, both by Kaws, at the Galerie Perrotin stand. Photography: Claire Dorn. Courtesy of the artist and Perrotin
Pace Gallery’s stand featured works by Song Dong and Julian Schnabel, among others. © 2017 Pace Gallery. Photography: Damian Griffiths
Left, installation view of Loie Hollowell’s pastel and graphite works at Pace Gallery’s booth. Photography: Damian Griffiths. Right, Point of Entry (lingam between teal circles), 2017, by Loie Hollowell. © The artist. Courtesy of Pace Gallery. Photography: Kerry Ryan McFate and Tom Barratt
For the new Sex Work section curated by Alison Gingeras, Richard Saltoun Gallery presented a solo stand of recent and historical works by Austrian feminist artist Renate Bertlmann. Photograph: Mark Blower. Courtesy of Frieze
Chinese gallery Shanghart focused on a solo presentation by 72-year-old conceptual artist Liang Shaoji, who has been using silkworms in his sculpture and video work for nearly three decades. A hermit who lives the remote Tiantai County, he started breeding silkworms in 1989, and incorporating them in metal and glass works. Courtesy of Shanghart
Chains:The Unbearable Lightness of Being/Nature Series No.79, 2003-2007, by Liang Shaoji, at Shanghart. Courtesy of Shanghart
For the fourth consecutive year, Universal Design Studio returned as the architects of Frieze London, creating a revamped entryway installation (pictured) and a series of new restaurant interior concepts
Over at Frieze Masters, Waddington Custot enlisted designer Robin Brown and producer Anna Pank to recreate the London studio of British pop artist Peter Blake. Photography: Mark Blower. Courtesy of Waddington Custot
Among the piles of postcards, toy, models and wooden galleons are 41 seminal works. Photography: Mark Blower. Courtesy of Waddington Custot
‘At Work with Peter Blake’ brings to the life the artist’s private, creative environment. Photography: Mark Blower. Courtesy of Waddington Custot
Luxembourg & Dayan borrowed furniture and cushions from the late Italian artist Enrique Baj’s eclectic Lombardy abode, recreate elements of his home at its Frieze Masters booth. © Archivio Baj, Vergiate, 2017. Photography: Will Amlot
Inspired by the unique hanging style and sensibility that Baj maintained in his home the presentation included paintings from his Mountains series (1957-1959); Modifications series (1957-1959), thrift-store paintings of pastoral landscapes and voluptuous nudes as backdrops for his own garish figures, figments of science-fiction; Furniture paintings (1960-1961), incorporating collaged scraps of furniture that mimic period design pieces; and the iconic Generals and Ladies series (1959-1980). © Archivio Baj, Vergiate, 2017. Photography: Will Amlot
Newly rediscovered work from the estate of Gutai artist Minoru Onoda was shown outside of Japan for the first time at Frieze Masters, courtesy of Basel’s Anne Mosseri-Marlio Galerie. The solo display of paintings from the 1960s to the 1980s was drawn exclusively from his family estate. Courtesy of Anne Mosseri-Marlio Galerie
Left, Nr. 7938, 2016, by Thomas Ruff, at Galerie Rüdiger Schöttle. © VG Bild-Kunst, Bonn 2017. Photography: Sebastiano Pellion di Persano. Courtesy of Galerie Rüdiger Schöttle, Munich. Right, Tribute to dom Thierry Ruinart, 2016, by Jaume Plensa, at Frieze Sculpture 2017. Photography: Stephen White. Courtesy of Frieze
Untitled, and Untitled, both 2016, by Takuro Kuwata, presented by Alison Jacques Gallery and Salon 94 at Frieze Sculpture 2017. Photography: Stephen White. Courtesy of Frieze
Untitled, 2017, oil on linen, by Daniel Sinsel; and Giselle (Sergei and Natalia) #1, 2017, monotype on twinrocker handmade paper, by Elizabeth Peyton, presented at Sadie Coles HQ’s booth. © The artists. Courtesy of Sadie Coles HQ, London. Photography: Robert Glowacki
Left, Der Bote, 1984, by Georg Baselitz, at Galerie Thaddaeus Ropac’s Frieze Master booth. Courtesy of Galerie Thaddaeus Ropac. Right, Summer Moon, 2011, by Ugo Rondinone, presented by Sadie Coles at Frieze Sculpture 2017. Photography: Stephen White. Courtesy of Frieze
le dormeur du val, 2014, by Anselm Kiefer, at Galerie Thaddaeus Ropac. Courtesy of Galerie Thaddaeus Ropac London/Paris/Salzburg
Mexico City gallery Kurimanzutto brought works by Damián Ortega, Jimmie Durham, Roman Ondak, and Abraham Cruzvillegas. Photography: Mark Blower
keywords:Frieze Art Fair, Art fairs, London exhibitions, Global Fair Guide 2017
关键词:弗里兹艺术博览会,艺术展,伦敦展览,2017年全球博览会指南
由于世界上如此多的不确定性,收藏家们是否转向了安全的赌注?这是弗里泽的空气中的一个问题,在那里古怪的概念作品以它们的缺席而闻名。相反,画廊推出了绘画和雕塑,以可理解的方式.

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